Balanchine


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Bal·an·chine

 (băl′ən-chēn′, băl′ən-chēn′), George Originally Georgi Balanchivadze. 1904-1983.
Russian-born American ballet director and choreographer who became artistic director of the New York City Ballet in 1948 and choreographed more than 100 ballets, including Firebird (1949) and Don Quixote (1965).

Balanchine

(ˈbælənˌtʃiːn; ˌbælənˈtʃiːn)
n
(Biography) George. 1904–83, US choreographer, born in Russia

Bal•an•chine

(ˈbæl ənˌtʃin)

n.
George, 1904–83, U.S. choreographer, born in Russia.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.Balanchine - United States dancer and choreographer (born in Russia) noted for his abstract and formal works (1904-1983)
References in periodicals archive ?
But you don't have to join a company to get the full Balanchine experience.
George Balanchine might be called the father of American ballet.
From the 1930s to the 1960s, they were a nexus of splendid dancing; of magnificent choreography, by Leonide Massine, George Balanchine, David Lichine, and others; and of fantastic spectacle, including costumes and scenery by such distinguished artists as Matisse and Dali.
After a six-year absence, New York City Ballet returns to the Southland to celebrate the birth of the company's legendary choreographer and co-founder, the late George Balanchine, who revolutionized ballet by creating a modern American style.
Additional chapters trace the careers and relationship of Stravinsky and Balanchine, prior to and following their central collaborations.
NEW YORK The New York City Ballet will celebrate the achievements of founder George Balanchine next year in an ambitious season honoring the 100th anniversary of the choreographer's birth.
According to Ellen Sorrin, director of the George Balanchine Trust, the organization that controls the licensing and staging of Balanchine's works, Serenade is one of the Trust's most requested ballets.
Dance Theatre of Harlem will open the program with ``Serenade'' (1934), the first ballet Balanchine choreographed in America.
In response to your lively and laudably wide-ranging interchange on the influence of Balanchine today ("Are We Overdosing on Balanchine?
As ballet great Suzanne Farrell notes, ``We don't need a centennial - we celebrate the genius of George Balanchine all the time.
I do believe that directors and programmers should dare a little more, like Balanchine dared in his time to try new things.
Renown for its purity and commitment to the classics, the Kirov Ballet is showing the world that it is embracing 20th-century masterworks - including those by George Balanchine - in order to create its own works for the 21st century.