Gallipoli

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Gal·lip·o·li

 (gə-lĭp′ə-lē)
A narrow peninsula of northwest Turkey between the Dardanelles and the Gulf of Saros. It was the scene of heavy fighting (1915) between Allied and Turkish forces in World War I.

Gallipoli

(ɡəˈlɪpəlɪ)
n
1. (Placename) a peninsula in NW Turkey, between the Dardanelles and the Gulf of Saros: scene of a costly but unsuccessful Allied campaign in 1915
2. (Placename) a port in NW Turkey, at the entrance to the Sea of Marmara: historically important for its strategic position. Pop: 22 000 (latest est)
Turkish name: Gelibolu
References in periodicals archive ?
Callipolis produces these "hardened men, products of coercion" because the regime cannot count on nature to furnish an adequate supply of philosophical rulers.
Plato's Critic of the Democratic City in the Republic>>, Political Theory, 22 (3), 1994, 367, montre que pour les Atheniens le mythe de l'autochtonie sert de frein a la dissolution de la cite en factions adverses, ce dont se sert Platon pour sa Callipolis, en retournant le mythe contre la democratie athenienne.
1 -- Guess what is common among the intriguing words La Solara, Trifecta Verdure, Callipolis, Wave Edenia and Earth Copia?
Siendo circular, la ciudad de Odiseo perteneceria tambien a la idea de la sacralizacion, locus de union entre el hombre y Dios, una forma de concretizar el ideal de San Agustin en el nivel terreno y la callipolis de Platon.
A third, Love's Triumph through Callipolis, assigns a labyrinth dance to its anti-masquers.
At the end of Book 7, after recommending the expulsion of all who are age ten or older and thus founding Callipolis "most quickly and easily" (514a),(11) Socrates concludes that he and his interlocutors have discovered the city and the man they sought.
However, Love's Triumph through Callipolis (1631) restored torchbearing to the symbolism of love and desire in the guise of Cupids:
25) Moreover, it is a quarrel in which Jonson seeks systematically to muscle his colleagues out of the sphere of authorship; as early as The Masque of Blackness Jonson carefully asserts--despite passing credits to his colleagues-that the work's "inuention was deriued by me" (7:169); moreover, his growing tendency to slight his collaborators culminates with the notorious second-billing of Jones in the 1631 quarto of Love's Triumph through Callipolis.
Clearly, the designer, Inigo Jones, was getting above himself, and Ben Jonson, who consistently objected to his attempts to control all aspects of the masques, protested strongly at Jones's name being placed alongside (rather than above) his own on the title-page of Love's Triumph through Callipolis.
Resonances can be found in Orgel, 59: "All representations,' wrote Ben Jonson, 'especially those of this nature in court, public spectacles, either have been or ought to be the mirrors of man's life'" (Loves Triumph through Callipolis, lines 1-3).
25) Moreover, it is a quarrel in which Jonson seeks systematically to muscle his colleagues out of the sphere of authorship; as early as The Masque of Blackness Jonson carefully asserts-despite passing credits to his colleagues--that the work's "inuention was deriued by me" (7:169); moreover, his growing tendency to slight his collaborators culminates with the notorious second-billing of Jones in the 1631 quarto of Love's Triumph through Callipolis.
Here we see the true destruction of the female and her elimination from Callipolis as she dissolves into the male and the family dissolves into the city".