Der Blaue Reiter


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Der Blaue Reiter

“The Blue Rider” (c. 1911–14) A loose-knit group of expressionist painters including Kandinsky, Klee, and Marc, united by Kandinsky’s dictum that “the creative spirit is hidden within matter.”
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De son cote, l'artiste peintre Chama Attar a aborde ensuite le constat et l'etude des productions particulieres de ces artistes defunts, en evoquant comment ils rejoignaient, sans le savoir, d'autres recherches et courants de peinture a travers le monde, nuancant les ecoles de l'expressionnisme allemand ( Die Br'cke [beaucoup moins que] le pont[beaucoup plus grand que] et Der Blaue Reiter [beaucoup moins que] le cavalier bleu[beaucoup plus grand que]) , et de conclure que leur productions n'avait rien de fermee sur le monde qui les entourait de loin, en observant les connexions artistiques et humaines qu'ils en degageaient.
Thus, the exhibition examines the reception of Cezanne, Gauguin, and Van Gogh, the Neo-Impressionists with Signac, the Fauves with Matisse and the Cubists with Picasso in relation to the German Expressionist artists of Die Brucke (The Bridge) and Der Blaue Reiter (The Blue Rider).
In his essay "Das Verhaltnis zum Text"--written to appear in the almanac Der Blaue Reiter (ed.
In a period of experimentation and movement towards more symbolic work, Kandinsky and other like-minded artists founded Der Blaue Reiter (the Blue Rider) in 1911, a group of artists based in Munich who emphasized the expression of extreme psychological conditions in their art.
More than 30 paintings, prints, drawings and sculptures survey expressionism and the groups of artists--such as Der Blaue Reiter --that flourished in Germany in the early 20th century.
Winning owner no mug The new April evening meeting didn't get the Norfolk public excited, as a crowd of fewer than 1,000 was the smallest many locals could remember, but largerthan-life owner Clive Washbourn certainly filled the room after Der Blaue Reiter made a winning debut in the two-year-old maiden.
It was sparked by the formation of 2 artist groups: one, called Die Brucke (The Bridge), beginning in 1905 in Dresden and the other, known as Der Blaue Reiter (The Blue Rider), in Munich.
Along with Franz Marc, he helped found Der Blaue Reiter (Blue Rider) group in Munich, Germany.
There are several different and somewhat overlapping groups of Expressionist artists, including Die Brcke, Der Blaue Reiter, Die Neue Sachlichkeit and the Bauhaus School.
Ever since Gabriele Munter--one of the three founders of Der Blaue Reiter (the Blue Rider) movement in 1911, together with Wassily Kandinsky and Franz Marc--donated 1,000 works to the museum on her 80th birthday in 1957, the Lenbachhaus has had to cope with displaying an ever expanding collection.
Beginning with his early paintings influenced by symbolists such as Edvard Munch, Russian folk painting and Fauvism, the exhibition also includes works the artist created while part of the Munich-based group, der Blaue Reiter, which greatly influenced Kandinsky's stylistic shift toward pure abstraction.