Cimarosa

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Cimarosa

(ˌtʃiːməˈrəʊzə)
n
(Biography) Domenico. 1749–1801, Italian composer, chiefly remembered for his opera buffa The Secret Marriage (1792)
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During his student life he was a prize-winner at several international competitions including Domenico Cimarosa International Piano Competition (1990, Aversa, Italy), Sergei Rachmaninov International Piano Competition (1990, Morcone, Italy) and Ferruccio Busoni International Piano Competition (1992, Bolzano, Italy).
Cavatina / Per pieta bell' Idol mio / Musica / Del Sig:r D: Domenico Cimarosa / Si venderia del Giovanni Colameo rigatore de carta di musica al vicolo di S.
The show will come in two stages: part two will span 45 minutes and is entitled Precentor/ Choirmaster by Domenico Cimarosa.
Said music would be a late Classical era Concerto for Two Flutes by Domenico Cimarosa (1749-1801), here played on flute and oboe; two early Romantic concertos by Wilhelm Bernhard Molique (1802-1869), one for flute solo and one for oboe solo; and an early Romantic period Concerto for Flute and Oboe by Ignaz Moscheles (1794-1870).
Compositor con un eclecticismo dotado de tanta agudeza como sabrosura, Domenico Cimarosa (n.
The great opera composer Giovanni Paisiello (1740-1816), for example, is mentioned as an ardent follower of the teachings of Durante; Fenaroli, whose students included Domenico Cimarosa (1749-1801) and Saverio Mercadante (1795-1870), was also from the Durante lineage.
Mozart, Richard Strauss and Domenico Cimarosa next Feb.
And if one is wondering why Hummel omitted Mozart's overtures to Don Giovanni and La clemenza di Tito from the present set of twelve overtures while including those to Le nozze di Figaro and Die Zauberflote, it was probably because he wanted to save them for his second set of twelve overtures, which similarly mixes the familiar with the now unfamiliar, with overtures by Beethoven (Fidelio), Francois Adrien Boieldieu (Le calife de Bagdad), Luigi Cherubini (Les deux journees), Domenico Cimarosa (Il matrimonio segreto), Friedrich Heinrich Himmel (Fanchon), Gioacchino Rossini (Il barbiere di Siviglia, La gazza ladra, and L'italiana in Algeri), Johann Christoph Vogel (Demophon), and Peter Winter (Das unterbrochene Opferfest).
Though Piccinni had dominated the 1778-80 run of Italian operas at the Academie royale de musique, Giovanni Paisiello and Domenico Cimarosa were preferred at the Theatre de Monsieur.
Folge, includes sixteen such pieces written for operas composed by Pasquale Anfossi (3), Domenico Cimarosa (3), Francesco Bianch i (2), Florian Leopold Gassmann (2?
The opera excerpts in the third volume intermix the well-known (Vincenzo Bellini, Domenico Cimarosa, Gaetano Donizetti, Saverio Mercadante, Ferdinando Paer, Giovanni Paisiello, Gioachino Rossini, Giuseppe Verdi) with the lesser-known (Carlo Coccia, Fr.