Harris perceptively identifies Carpenter's conception of a "Universal Self"--his version of the Emersonian
Over-Soul--as the key to his thought and suggests that he regarded Towards Democracy not as "an English version of Leaves of Grass but [as] the latest literary contribution to the unfolding of the universal self" (46).
and Whitmanian affection for Hindu thought laid the groundwork for the arrival of emissaries like Swami Vivekananda and Paramahansa Yogananda, who brought Hinduism to America and spurred the later spiritual upheavals of the 1960s.
It is this kind of rags-to-riches narrative that places the Tabernacle Choir and its namesake Church squarely within that appreciable vein of Emersonian
ideology considered so keenly American.
Shifting our critical and conceptual perspective from a traditional Matthiessenian notion of an "optative mood" to something of a Badiouian "operative mood" opens up new ways to consider how, across the early works, the Emersonian
self is shaped by interactions with a religious and universal Other, or what scholars of Emerson, following Emerson's own terminology, often term the "impersonal," as well as the ways these interactions influence the self's relation to specific social and historical landscapes.
Yet the Emersonian
philosophy of self-invention is also a philosophy of self-ruin.
Cavellian themes such as moral perfectionism (Stanley Bates on "Thoreau and Emersonian
Perfectionism"), the problem of skepticism (Edward F.
In the first part of the paper, I examine Stanley Cavell's suggestion, put forward in his Carus Lectures of 1988, that Beckett's play can be read as a work that embodies and develops the idea of Emersonian
writings, in particular his dissents, fall
The book has to begin in the nineteenth century because the conceptual framework is so heavily indebted to Emersonian
ideas of selfhood.
There are discussions of law in the plays of Shakespeare, of the concept of law in Geoffrey of Monmouth's influential History of the Kings of Britain, of Emersonian
individualism, of the literary criticism of Henry Hazlitt (best known to libertarians as a writer on economics), of imperial law in E.
I will attempt to show how the Emersonian
first American Renaissance and the Nashville Agrarian Southern Renaissance, though emerging from very different regions and societal milieus in the United States, sprouted from and were nourished by a common soil of cultural, religious, historical and philosophical conditions and propensities.
If this appears out-of-date to today's self-assured intellectual cynicism, Loreto's exposition of Walcott's Emersonian
poetics remains absolutely convincing.