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Frize |
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| Other choices, as varied as Bernard Frize, Matthias Weischer, and, surprisingly, Gabriel Orozco (that paragon of postmedium art-making) spoke to painting's conceptual and self-reflexive reaches--spoke, you might say, to the Candides among us--undercutting any implicit suggestion that painting claims its territory uncontested. Painting as Frize conceives of the practice does not have as its ultimate goal the production of objects as much as the perfection (and the testing) of processes: The canvas is thought of not as an end or an objective but as a place; it is, strictly speaking, a theater of operations. The author of numerous essays and magazine articles, she has most recently contributed to the Gallimard monograph on Jean-Marc Bustamante (2003) and to the catalogue for the Musee d'Art Moderne de la Ville de Paris's exhibition of the work of Bernard Frize this past summer. |
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