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n.1.(Eccl.) See Jeronymite.
References in periodicals archive ?
The most famous anecdote about King Philip II (1527-98) and his passion for relics is the one told by the Hieronymite friar Jose de Siguenza (1544-1606) in his famous history of the foundation of the Escorial, included in his monumental Historia de la Orden de San Jeronimo (1605).
1) A new edition of parts 2 and 3 of this history of the Hieronymite order was published in 2000.
Yet another purpose of the festejo would be to promote the convent of San Jeronimo itself, and the Hieronymite order in general.
12) "[w]hen in about 1400 the image of penitent St Jerome was invented in Italy, or more precisely in Tuscany in the environment of the Hieronymite congregations, artists showed the saint in an imaginary wilderness, almost naked, beating his chest with a stone (because the human heart, as he also explained, is a treasure house of impure thoughts; by bloodying his chest he punished and tamed his sinful heart)" (Rice 153).
She was an intellectual prodigy who entered the Convent of the Order of Saint Jerome in 1669 and professed herself a Hieronymite nun until her death at forty-three years of age.
Until 1492, Isabel had often consulted Hieronymite friar Hernando de Talavera on matters of reform.
the metaphor of finches fluttering urgently in the hearts of men, Fabrizio's inverted counterpart, Padre Attilio Bodini, a Hieronymite monk who paints a coded mural, and Ugo's glancing embodiment of characteristics of Niccolo, Archenti, Fabrizio and Omero (his dwarfish servant) are a few such devices.
Even so, architecture was once again used to flaunt the Catholicization of the De la Hoz family, which chose to parade its orthodoxy with a funeral chapel in the Hieronymite monastery of El Parral.
In that book Pastore rewrote the early history of the Spanish Inquisition, and of much else besides, by rereading the classic texts of Spanish religious history from the mid-fifteenth-century Espina-Oropesa controversy over the conversion of the Jews to Jose de Siguenza's monumental history of the Hieronymite order (1600-05), with a sharp eye for any signs of controversy and dissidence.
This is the secular play, Amor es mas laberinto, by Sor Juana Ines da la Cruz (1648-95), the Mexican poet, playwright and essayist, who took the veil in the Hieronymite Order in 1669.
The depiction of the penitent ascetic in the desert, the dominant image of Jerome in the second half of the Quattrocento, mirrored currents in spirituality that emphasized austerity, penance, poverty; and strict adherence to a monastic rule, as evidenced in the Hieronymite congregations in Italy and Spain.
Contract notice: Framework agreement printers / copiers group brothers hieronymites.