Signorelli

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Signorelli

(Italian siɲɲoˈrɛlli)
n
(Biography) Luca (ˈluːka). ?1441–1523, Italian painter, noted for his frescoes
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In the first few years of the sixteenth century, in Orvieto's splendid medieval cathedral, Luca Signorelli painted The Last Judgment, a sprawling, shocking fresco of muscled nude men, bared buttocks, horrific violence, antichrists, angels, and evil mayhem.
This area of Italy, in and around the Valtiberina, was also the birthplace of Michelangelo, Raphael, Piero della Francesca and Luca Signorelli.
Luca Signorelli, Comunione con gli Apostoli, Cortona / By Luca Signorelli - Web Gallery of Art: Image Info about artwork.
El infierno no esta en el mas alla, esta aqui, entre nosotros, y de ello se dieron cuenta artistas como El Bosco, Luca Signorelli, Peter Huys, Goya o el caso llamativo y mas reciente de los Hermanos Chapman.
Toda la majestuosa procesion historica se disperso, solo habia esto: Desnudo visto de espaldas con un cadaver sobre los bombros, de Luca Signorelli (circa 1450-1523).
When Kiely studies the fresco cycle on the life of Benedict done in the early sixteenth century at the monastic center of Monte Oliveto Maggiore in Italy, he cannot help but note the contrast between the life of the saint and the painter of the cycle who completed the earlier work of Luca Signorelli, known in the history of art by his nickname, Il Sodoma.
Other artists in the exhibition include Luca Signorelli, Giorgio Vasari (author of the Renaissance classic, Lives of the Artists) and Franois Boucher.
It is also closely associated with two painters: Fra Angelico (1387-1455), who lived there for two years, and native son Luca Signorelli (c.
In her debut book, Sarah Nair James investigates the Judgment cycle adorning the Cappella Nuova in the Orvieto Cathedral, which was left unfinished by Fra Angelico in 1447 and completed by Luca Signorelli in 1499-1504.
But the Virgin and Child motif was a favourite subject of the 16th century artist, Luca Signorelli, who began his apprenticeship under Piero della Francesca, before going on to study with the Florentine genius, Andrea del Verrochio (in whose workshops Leonardo da Vinci, Sandro Botticelli and Pietro Perugino, among others, learned their art skills).
But Cadmus's darker tableaux like S ubway Symphony, 1975-76, had artistic precedents in the apocalyptic visions of Matthias Grunewald and Luca Signorelli, as well as in those of more recent artist-visionaries like James Ensor, Otto Dix, and George Grosz.