Ophüls

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Ophüls [ˈɔːfəls (German) ˈɔphyls]

(Biographies / Ophüls, Max (1902-1957) M, German, FILMS AND TV: director) Max (maks). 1902-57, German film director, whose films include Liebelei (1932), La Signora di tutti (1934), La Ronde (1950), Le Plaisir (1952), and Lola Montes (1955)

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director	Lola Montès Running time 110 minutes Written by Annette Wademant, Max Ophüls and Jacques Natanson Directed by Max Ophüls Starring Martine Carol, Peter Ustinov Max Ophüls’ Lola Montès, from a screenplay (in French, German and English with English subtitles) by Annette Wademant, Max Ophüls and Jacques Natanson, is based (at least in the opening credits) on a novel by Cécil Saint-Laurent. Ophüls Proves Prophet With Prodigious Lola Montès by Andrew Sarris / The New York Observer As I mourn Manny Farber and Paul Newman and many of my other contemporaries in the far from merry game of life, I receive more than a little consolation from the cinematic epiphanies of Max Ophüls and Wong Kar-wai and so many other masters of my chosen medium. Wise Man Wong Wows With Wistful Desert Walk by Andrew Sarris / The New York Observer Certainly, his exclusive reliance on camera movement seems to place him in the anti-montage category so favored by the late André Bazin; still, I much prefer the camera movements of Max Ophüls and Kenji Mizo-guchi over those of Angelopoulos and Stanley Kubrick. Blue-Eyed Cillian Murphy Is Delightful Hero(ine) in Pluto by Andrew Sarris / The New York Observer	Ophrys insectifera Ophrys muscifera Ophrys sphegodes ophthalm- ophthalmectomy ophthalmia ophthalmia neonatorum ophthalmic ophthalmic artery ophthalmic optician Ophthalmic region ophthalmic surgeon ophthalmic vein Ophthalmite ophthalmitis ophthalmo- ophthalmol. Ophthalmological ophthalmologist ophthalmology Ophthalmometer ophthalmoplegia ophthalmoscope ophthalmoscopy Ophthalmy Ophüls Opianic opianine Opianyl opiate Opiated Opie Opiferous Opifice Opificer Opiliones Opinable Opination Opinative Opinator opine Opiner Opiniaster Opiniastrous Opiniate Opiniated Opiniative Opiniator Opiniatre Opiniatrety Opinicus	ophthalmoscopes ophthalmoscopic ophthalmoscopic ophthalmoscopic ophthalmoscopic examination ophthalmoscopical ophthalmoscopical ophthalmoscopical ophthalmoscopies ophthalmoscopies ophthalmoscopies ophthalmoscopy ophthalmoscopy ophthalmoscopy ophthalmospasm ophthalmostasis ophthalmostat ophthalmosteresis ophthalmosynchysis ophthalmotomy ophthalmotrope ophthalmovascular ophthalmoxerosis Ophthalmy Ophthamologist Ophthamology Ophthamology Ophthamology Ophuiroidea Ophuiroidea Ophüls Ophüls, Marcel Ophüls, Max Ophyra aenescens Opi Opi Opi (AQ) Opi, Italy OPIA OPIAC Opianic opianine Opianyl Opianyl OPIAR opiate opiate opiate opiate opiate analgesic opiate analgesic opiate analgesic opiate analgesic Opiate blockers Opiate drug Opiate drug Opiate drug Opiate drug Opiate for the Masses Opiate Induced Constipation Opiate of the masses

Lola Montès Running time 110 minutes Written by Annette Wademant, Max Ophüls and Jacques Natanson Directed by Max Ophüls Starring Martine Carol, Peter Ustinov Max Ophüls’ Lola Montès, from a screenplay (in French, German and English with English subtitles) by Annette Wademant, Max Ophüls and Jacques Natanson, is based (at least in the opening credits) on a novel by Cécil Saint-Laurent.

Ophüls Proves Prophet With Prodigious Lola Montès by Andrew Sarris / The New York Observer

As I mourn Manny Farber and Paul Newman and many of my other contemporaries in the far from merry game of life, I receive more than a little consolation from the cinematic epiphanies of Max Ophüls and Wong Kar-wai and so many other masters of my chosen medium.

Wise Man Wong Wows With Wistful Desert Walk by Andrew Sarris / The New York Observer

Certainly, his exclusive reliance on camera movement seems to place him in the anti-montage category so favored by the late André Bazin; still, I much prefer the camera movements of Max Ophüls and Kenji Mizo-guchi over those of Angelopoulos and Stanley Kubrick.

Blue-Eyed Cillian Murphy Is Delightful Hero(ine) in Pluto by Andrew Sarris / The New York Observer

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