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Related to Orishas: Yoruba


n. pl. o·ri·shas or orisha
1. Any of various spirits in West African and especially Yoruban religious belief that can interact directly with human beings, often ritually invoked to influence human affairs or communicate messages from the spirit world.
2. Any of various similar spirits in African-based syncretic religions such as Santería and Candomblé, often in which traditional African spirits are identified with Roman Catholic saints.

[Yoruba òrìṣà.]


(əˈrɪʃə) or


(Other Non-Christian Religions) any of the minor gods or spirits of traditional Yoruba religion and its S American and Caribbean offshoots such as Santeria and Candomblé
[from Yoruba orisha and the Portuguese spelling orixá]
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The system is essentially based on the events that took place in the first days when Olodumare, the creator, made the world and then sent the Orishas to create humans and fashion culture.
36) As such, the homosexual Diego and the (supposed) prostitute Nancy can ask the orishas for favors even though Catholic doctrines would classify both as sexual deviants and sinners.
Orishas are divinized ancestors worshiped in Candomble.
African Narratives of Orishas, Spirits and Other Deities
Some of the styles of dance you can expect to learn include samba, samba reggae, afoxe, maracatu and dances of the Orishas, all blended with a unique street funk and a West African twist.
Additionally, Yoruba and Dahomey legends were also passed orally from generation to generation through the repetition of chants or songs in the form of patakies that summon the deities called orishas (Yoruba) and Iwa or loa (Fon).
His other books include Diloggun Tales of the National World, Teachings of the Santeria Gods, The Secrets of Afro-Cuban Divination; Obi: Oracle of Cuban Santeria and The Diloggan: The Orishas, Proverbs, Sacrifices and Prohibitions of Cuban Santeria.
Although in Santeria these forces have been anthropomorphized and mythologized, most orishas have ambiguous characters and personalities, thus diverging from the dualistic perception of the good and evil of the Judeo-Christian tradition.
While their stories are not overtly religious, they do employ ethnographic details such as the ritual greeting of orishas ("Mambiala Hill)" and individual orisha attributes ("Bregantino Bregantin").
Doce son los esplendidos temas incluidos en este compacto, cuya elegante pieza inicial (Llegada de Elegba) abre camino al tributo ofrecido a los orishas del panteon lucumi.
Religion as Art: Guadalupe, Orishas, and Sufi is an anthology of essays by learned authors examining religious icons, and their spiritual value above and beyond symbolism.