postmodernism

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post·mod·ern

 (pōst-mŏd′ərn)
adj.
1. Of or relating to art, architecture, or literature that reacts against earlier modernist principles, as by reintroducing traditional or classical elements of style or by carrying modernist styles or practices to extremes: "It [a roadhouse]is so architecturally interesting ... with its postmodern wooden booths and sculptural clock" (Ruth Reichl).
2. Of or relating to an intellectual stance often marked by eclecticism and irony and tending to reject the universal validity of such principles as hierarchy, binary opposition, categorization, and stable identity.

post·mod′ern·ism n.
post·mod′ern·ist adj. & n.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.postmodernism - genre of art and literature and especially architecture in reaction against principles and practices of established modernism
genre - a class of art (or artistic endeavor) having a characteristic form or technique
Translations

postmodernism

[ˈpəʊstˈmɒdənɪzəm] Nposmodernismo m
References in periodicals archive ?
While modernity presupposes an enduring self whose well-being needs to be protected by some kind of "law," even if it is only to ensure one's personal self-fulfillment, postmodernity sees the self as a constructed self--constructed, that is, by powers and systems over which one has no control.
This dense but fascinating work argues that post-Reformation Catholicism helped create not only modernity but postmodernity as well.
For Jameson, the esthetic forms that define postmodernity correspond to the globalization phase of the market.
After laying out the position of each thinker and explaining Arendt's corresponding criticisms, McCarthy turns to the question of how an authentic regard for the genuinely political can help remedy the civic attenuation of modernity and postmodernity.
It is interesting that he closes by analyzing what he calls "so-called" postmodernity.
One of the most salient and relevant features of postmodernity is that it challenges our old notions of centralized authority with a diffuse, finely grained, fluid, and complex network of perspectives.
Within this context, Arrecife confirms that Villoro's postmodernity, far from being an arbitrary label, is an apt classification, yet one that requires a careful reading to be understood.
Nietzsche's existentialism was one of three great theoretical sytems that ushered in postmodernity.
Postmodernity has become the predominant worldview.
Less successful is the somewhat desultory presentation of visual art: A Cindy Sherman "Film Still" and a Richard Prince magazine ad are lost on a wall of commercial and editorial photography, while the Warhol silk screen Dollar Sign, 1981, underscores the least interesting aspects of that artist's profound engagement with postmodernity.
Part One explores the conceptual foundations of the via mystica in postmodernity, Part Two examines the mystical processes involved, and Part Three discusses the integration of creative writing with theology.
While Humberto Felix Berumen suggests that if Tijuana is the symbol of cultural postmodernity, that postmodernity is "insufficient .