Also found in: Encyclopedia, Wikipedia.
Related to Pyramus: Tereus


n. Roman Mythology
A Babylonian youth who committed suicide when he mistakenly thought his lover Thisbe was dead.
References in classic literature ?
Don Lorenzo gave a proof of it, for he complied with Don Quixote's request and entreaty, and repeated to him this sonnet on the fable or story of Pyramus and Thisbe.
The lovely maid, she pierces now the wall; Heart-pierced by her young Pyramus doth lie; And Love spreads wing from Cyprus isle to fly, A chink to view so wondrous great and small.
The sun was just rising as the march began--it was a gallant sight-- the band led the column, playing the regimental march--then came the Major in command, riding upon Pyramus, his stout charger--then marched the grenadiers, their Captain at their head; in the centre were the colours, borne by the senior and junior Ensigns--then George came marching at the head of his company.
Which Shakespeare work contains a farcical play about Pyramus and Thisbe performed by rustics?
A philosophy professor teaching at the American University of Beirut, Abou Zaki entwined her story of the inner-life of the trees and the histories of the villagers with a retelling of the Pyramus and Thisbe myth, from Ovid's "Metamorphoses.
Bottom and his boot-wearing "Rude Mechanicals" present their famous play Pyramus and Thisbe.
Pyramus and Thisbe lived in adjoining houses in Babylonia.
13) The similarities are particularly strong between Romeo and Juliet and Pyramus and Thisbe, the play-within-the-play in A Midsummer Night's Dream.
Thou Wall, O Wall, O sweet and lovely Wall,/ Show me thy chink to blink through with mine eye," says Bottom, playing the part of Pyramus.
Wracked with grief at the apparent death of his lover, Thisbe, Pyramus drove the sword through his chest, crumpling to the floor in a conference room at the Eugene Public Library.
Another mythological example of the suicidal act is supplied by the love story between two young people from the city of Babylon, Pyramus and This be.
In the character of Bottom, Shakespeare proved that it is possible to create an exemplary rustic in the style of Tarlton and Kemp while implicitly denigrating the performer's skill through a superior representation of clowning, and the employment of Pyramus and Thisbe as an improvisational deterrent.