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tonality
(redirected from Tonal music)

   Also found in: Legal, Encyclopedia, Wikipedia 0.01 sec.
to·nal·i·ty  (t-nl-t)
n. pl. to·nal·i·ties
1. Music
a. A system or an arrangement of seven tones built on a tonic key.
b. The arrangement of all the tones and chords of a composition in relation to a tonic.
2. The scheme or interrelation of the tones in a painting.

tonality [təʊˈnælɪtɪ]
n pl -ties
1. (Music / Classical Music) Music
a.  the actual or implied presence of a musical key in a composition
b.  the system of major and minor keys prevalent in Western music since the decline of modes Compare atonality
2. (Fine Arts & Visual Arts / Art Terms) the overall scheme of colours and tones in a painting
ThesaurusLegend:  Synonyms Related Words Antonyms
Noun1.tonality - any of 24 major or minor diatonic scales that provide the tonal framework for a piece of musictonality - any of 24 major or minor diatonic scales that provide the tonal framework for a piece of music
musical notation - (music) notation used by musicians
major key, major mode - a key whose harmony is based on the major scale
minor key, minor mode - a key based on the minor scale
home key, tonic key - the basic key in which a piece of music is written
atonalism, atonality - the absence of a key; alternative to the diatonic system
Translations
tonality [təʊˈnælɪtɪ] Ntonalidad f
tonality [təʊˈnæləti] ntonalité f
tonality
n (Mus) → Tonalität f; (of voice)Klang m; (of poem)Tonart f; (of painting)Farbkomposition f


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95 Hardcover MT50 Goldenberg (Jerusalem Academy of Music & Dance Research) examines theorist Heinrich Schenker's admonition against the prolongation of seventh chords in traditional tonal music, which he viewed as a prolongation of dissonance.
There are plenty of extended stretches of free improv - but the seamless joining of conventionally tonal music (even some jazzy phrasing and riffing) with a spikier vocabulary and some startling solos from all across the contemporary-music soundscape makes this a richer, more dramatic and more moving achievement than Mitchell's somewhat acerbic one.
Please ask yourself: how much tonal music have I heard compared to atonal music?
 
 
 
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