Risorgimento

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Ri·sor·gi·men·to

 (rĭ-sôr′jə-mĕn′tō, rē-zôr′jē-)
n.
The period of or the movement for the liberation and political unification of Italy, beginning about 1750 and lasting until 1870.

[Italian, from risorgere, to rise again, from Latin resurgere; see resurge.]
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

Risorgimento

(rɪˌsɔːdʒɪˈmɛntəʊ)
n
1. (Historical Terms) the period of and the movement for the political unification of Italy in the 19th century
2. (Government, Politics & Diplomacy) the period of and the movement for the political unification of Italy in the 19th century
[Italian, from risorgere to rise again, from Latin resurgere, from re- + surgere to rise]
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

Ri•sor•gi•men•to

(rɪˌzɔr dʒəˈmɛn toʊ, -ˌsɔr-)

n., pl. -tos, -ti (-ti)
1. the period of or the movement for the liberation and unification of Italy 1750–1870.
2. (l.c.) any period or instance of renewal or resurgence.
[< Italian, <risorg(ere) to rise again (< Latin resurgere; see resurge)]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
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References in periodicals archive
President Gul is set to attend the ceremonies marking the 150th anniversary of the Italian unification as the guest of Italian President Giorgio Napolitano.
Its past - from the glory days up until Italian unification, through to the advent of fascism, and finally liberation - is built into its architecture: ornate balconies next to crumbling palazzos, punctuated by marvels such as the glass-domed Galleria Umberto and a building whose facade incorporates encrypted sheet music for a secret melody.
She covers punishment before Italian unification, the failed revolution in punishment, prison consolidation and reform, women and the convent prison, Men: from chains to the penitentiary, juvenile reformatories between state and charity, prisons on the margins: police camps and criminal insane asylums, and laboratories of criminal anthropology.
The parade was held in Turin in 1961 to mark the centennial year of Italian unification.
For Italians, the demonstrative way in which France exhibited its greatness and glory from the time of the Sun King (Louis XIV) to Napoleon made it appear "nouveau riche." Even French support for Italian unification in the second half of the nineteenth century contributed to further misunderstanding, because France "received" Savoy and Nice in exchange for its precious help.
For Italians, the demonstrative way in which France exhibited its greatness and glory from the time of the Sun King (Louis XIV) to Napoleon made it appear "nouveau riche." Even French support for Italian unification in the second half of the 19th century contributed to further misunderstanding, because France "received" Savoy and Nice in exchange for its precious help.
Most of the analyses miss the central point: Italian unification did not succeed, and today, as in the 19th century, it is fair to describe Italy as more "a geographic expression" than a country whose residents have a strong sense of national identity.
He argues that Italian unification, sometimes referred to as decolonization or liberation of the South, was actually "an instance of recolonization by a Northern elite" (xvi).
Giovanni Orsina, history professor at Rome's Luiss-Guido Carli University, said before the referendums that a strong "yes" vote could deepen the old north-south divide that dates back to before Italian unification in the 19th century.
The book, in fact, not only provides a detailed analysis of Verdi's work, but also offers valuable insights into the intercultural relations between Italy and Europe at the time of the Italian Unification and the cultural milieu of Italian expatriates in the United States during fascism.
The novel begins in 1855, however, when Italian unification threatened such overblown dynasties, and the Uzedas face a dismaying future wherein revolutionaries can no longer be beaten down and every "notary thinks himself a prince."
But he has largely shed the very pronounced monarchical, imperial trappings of the papacy that ruled the Papal States before the Italian unification.
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