Neo-Latin

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Neo-Latin

(ˌniːəʊˈlætɪn)
n
(Languages) another term for New Latin
adj
1. (Languages) denoting or relating to New Latin
2. (Linguistics) denoting or relating to language that developed from Latin; Romance
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

New′ Lat′in


n.
the Latin of literature and learned writing from c1500 to the present, including the Greco-Latin taxonomic nomenclature of biology. Abbr.: NL
[1885–90]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.Neo-Latin - Latin since the RenaissanceNeo-Latin - Latin since the Renaissance; used for scientific nomenclature
Latin - any dialect of the language of ancient Rome
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
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References in periodicals archive
Houghton and Marco Sgarbi, "Virgil and Renaissance Culture" is comprised of twelve erudite and insightful studies by scholars from a range of academic disciplines, covering the crucial areas of education and court culture, the visual arts, music history, philosophy, and Neo-Latin and vernacular literature.
He went on to become a Neo-Latin poet and one of the great vernacular humanists of the Renaissance.
NLN is the official publication of the American Association for Neo-Latin Studies.
Synopsis: Famous for his "Book of the Courtier", Baldassarre Castiglione also composed works in neo-Latin that have never been the subject of systematic, critical scrutiny within the broader context of early Cinquecento court culture.
His interests include both the Roman novel and Neo-Latin literature.
There was much discussion of commentaries written between 1450 and 1700 at the 15th International Conference of the International Association for Neo-Latin Studies held in 2012.
He is primarily concerned with vernacular poetry although he touches on the neo-Latin poetry that was produced by the official court poets Henry VII introduced to his court as he reshaped it to be that of a Renaissance prince.
'Sources and Influences' look at the role of the Bible, classical literature and philosophy, history, Chaucer and the mediaeval romance, neo-Latin literature, sixteenth century poetics, and Italian as well as French literature.
Jacopo Sannazaro (1456-1530) is arguably the most admired of the neo-Latin poets of the Renaissance.
Julianne Bruneau's essay offers a reading of the female figure of Natura in Allan of Lille's Complaint of Nature, for example, and Jennifer Morrish considers female characters in Johannes Praschius' neo-Latin novel Psyche Cretica.
The name is from the neo-Latin scientific name Falco subbuteo, a bird of prey commonly known as the Eurasian hobby, after a trademark was not granted to call the game Hobby.
Stephan Fussel examines the origins and spread of printing and Wilhelm Kuhlmann analyses the literature written in neo-Latin from the late fifteenth to the early eighteenth century in Germany, much of which was read by intellectuals across Europe.
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