Ugo Betti, nato a Camerino il 4 febbraio 1892, da una famiglia marchigiana dell'alta borghesia, fin da piccolo respira scienza a casa, grazie al nonno paterno, professore di patologia e Rettore dell'Universita camerte, e al padre Tullio, medico, che nel 1901 va a dirigere l'Ospedale di Parma.
The article touches upon Gadda's own poems and his own critical interventions on poetry, while focusing on his fellow poets (
Ugo Betti, Bonaventura Tecchi, Giuseppe Ungaretti, Salvatore Quasimodo, Leonardo Sinisgalli, besides the afore-mentioned D'Annunzio and Montale).
"Among her (Adlawan's) best work for the different theater groups in UP are Anton Chekhov's 'Three Sisters' as Irina; the translation of
Ugo Betti's 'The Queen and the Rebels' as Argia; 'Rashomon' as Kinune; and Moliere's 'Misanthrope' as Celimene."
In sections on the modern period there is no mention of Roberto Bacchelli, Diego Fabbri, Giuseppe Patroni Griffi, or Carlo Terron;
Ugo Betti warrants two mentions but not of any of his plays.
La parte introduttiva di
Ugo Betti. Novelle edite e rare si conclude, invece, con una dettagliata nota metodologica e filologica che assieme alla rassegna bibliografica curata da Alfredo Barbina fanno di questo volume un utilissimo strumento non solo per critici e studiosi, ma anche per chi intenda avvicinarsi per la prima volta all'opera narrativa di Betti.
The works of such prizewinning American playwrights as Edward Albee, Charles Gordone, Paul Zindel, Sam Shepard, Lanford Wilson, and John Guare were first produced Off-Broadway, along with the unconventional works of such avant-garde dramatists as Eugene Ionesco,
Ugo Betti, Jean Genet, Samuel Beckett, and Harold Pinter.
Ugo Betti's The Gambler was recently presented at the rather spooky House of Candles theater (housed in an East Village store that formerly sold candles and talismans to devotees of Santeria).
This investigation of the ways in which Italian poet soldiers represented mothers and motherhood seeks to shed light on the relationship between gender and war in earlytwentieth-century Italy by exploring the intersections and divergences between the official discourses on motherhood and the Madre-patria, represented here by D'Annuzio's "Il rinato," and the counter-discourses offered in the poetry of
Ugo Betti and Corrado Alvaro.
La fortuna o, se si preferisce la sfortuna, artistica di
Ugo Betti e uno dei tanti segni del tempo.