The final ritornello, and the final song, is scored for the first viola (but can also be played by the violin) and written in the alto clef. In the violin part, the ritornellos are marked with Roman numerals and the titles of songs, whose modern transcription is as follows:
The exercises would be challenging and useful with some explanations from the teacher, particularly regarding the treble clef and where the alto clef flows into it.
For example, the written notes for horn in D would sound correct in concert pitch if read in alto clef. The final measure of the top line indicates the clef and key signature in which the horn player should read the original in order for it to sound correctly in concert pitch when played on the valve horn in F.
he told me that Merk had played very well but that he had expressed the wish that it could be played much more easily, and with the same effect for the cello, if the alto clef were put in the violin or tenor clef, as this frequently causes confusion and makes it much more difficult for the cellist than for the other three instruments./ He has asked Mayseder for his part and will himself make a new part, and then show it to you, so that it is not so difficult and will lose nothing of the effect throughout.(41)
A falsettist is, however, obviously required for the parts written from 1692 onwards for John Howell--notated by Purcell not in the alto clef but in the mezzo-soprano, and going freely up to top e [ditto].
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