While the script takes a deep-dive plunge into the
jargonist nerdery of the space-time continuum, the Nolan brothers--Christopher again working with Jonathan on the script--show an artful hand at illustrative imagery, finding figurative ways (the pearl in the oyster!) to communicate the wilder notions of wormholes, black holes, horizon lines, light-bending, particle physics, five-dimensional space beings, relativity, and so on.
Although obscured by occasional
jargonist excesses, especially in its opening chapters, Utopia, Carnival, and Commonwealth presents a cogent and imaginative social reading of Mom's Utopia and the intersection of carnavelesque and utopian ideas and practices with Mores and other Renaissance texts.
Robert Bisset, Douglas; or The Highlander, 4 vols (London, 1800) asserts that if the 'metaphysical
jargonist' had 'instead of spinning of theories from his own imagination, accurately examined facts, studied history and human nature', he would 'have found out the falsity of [his] own systems' (III, 34-35).