It should
poeticize wit and fill all of art's forms with sound material of every kind to form the human soul, to animate it with flights of humor.
Its all building up to the two scenes of the movie, the ones that will contextualize and
poeticize everything that came before it.
Instead, and in keeping with what situates Blok/ Eko in opposition to Aristotle and subsequently naturalism, Blok--the one who should
poeticize the death of the tyrant Queen given his skills and service to her--cannot bear witness to Eko's death, and instead seeks shelter from the image of her dying body.
Looking at these works, 1 couldn't help but remember Friedrich Schlegel's call to "make poetry lively and sociable, and life and society poetical;
poeticize wit and fill and saturate the forms of art with every kind of good, solid matter for instruction, and animate them with the pulsations of humor." King has heard that call and fulfilled it.
Price contends that the rhetoric of failure, which is "predicated upon the notion that Mexico got off to a bad start and has never fully recovered its footing" (14), is a "deliberate narrative choice" (4) by authors who seek to "highlight, reinterpret, and even
poeticize perceived cultural, political, and social shortcomings" (4).
poeticize them, nothing is to escape redemption: Jiboia Meats
He no longer needs or desires to create poetry because he has entered into a harmonious state with his surroundings that abolishes the need to
poeticize: poetry had served to bridge the gap that once existed between himself and the surrounding world.
By contrast, Wright develops a style of prayer-poetry more akin to that of Hopkins, a priest-poet he calls "God-gulped and heaven-hidden," adapting his alliterative compounds and apostrophizing him in his own diction, "Father Candescence" and "Father Fire." (2) Oppen and Gluck
poeticize prayer under the sign of litotes, or understatement, and Wright does so, like Hopkins, with rhetorical opulence; if their poems restrain trope and anthropomorphism, his abound with extravagant, almost baroque figurations of landscape, affect, and an absent God; if theirs approximate silent or mental prayer, subduing verbal music, his are written in strongly cadenced lines rich with sonic patterning.
In short, there are endings to poems that, however potentially "abject," manage to "
poeticize" as they "philosophize." For example, in "Dei sepolcri" ("On Sepulchers" 1807), Ugo Foscolo's monumental poem about the Florentine basilica Santa Croce, the cascading final lines fuse "sense" with "sound" in a linguistic dissolve that recalls Dante's exhortation for poems to end in silence.
Kline describes the lessons he learned about Shakespeare's language from English director John Barton, whom he quotes as saying: "Don't
poeticize something that is in fact rather straightforward.
Such a person is characterized by the tendency "to
poeticize God as somewhat different from what God is, a bit more like the fond father who indulges his child's every wish far too much" (p.