Nichols does mention the use of the
sarrusophone at die beginning of L'heure espagnole; Walter Piston's Orchestration points out that the
sarrusophone was preferred by "some French composers.
the stage of this curious, 140-seat theater is nearly entirely overrun by a multitude of instruments: xylophones, bassoon,
sarrusophone, various saxophones, clarinets, banjo, cymbals, gongs, bells, bass drum, balafon, rattles etc ...