shape-note singing

shape-note singing

(shāp′nōt′)
n.
A traditional style of unaccompanied group singing using a sol-fa notation in which the shape of the note indicates its pitch. Also called shape singing.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.
References in periodicals archive
Led by Larry Gordon, Northern Harmony's 14 brilliant young singers' programme will include South African songs and dances, traditional polyphony from Georgia, Corsica and the Balkans, American shape-note singing and quartet gospel, as well as renaissance motets.
Led by Larry Gordon, Northern Harmony's 14 young singers present a thrilling mix of world harmony traditions including South African songs and dances, traditional polyphony from Georgia, Corsica and the Balkans, American shape-note singing and quartet gospel.
The three Aboriginal Alaskan selections are in the High Church Protestant style; beginning with Lord I call to Blessed Be They Name with Having Beheld the Resurrection in the middle; the language is Yup'ik; the music a Shape-Note singing X close harmony hybrid.
Schor detected the strains of Shaker shape-note singing.
In fact, in my experience, many people today believe shape-note singing and Sacred Harp singing are synonymous; for them there is no other shape-note music.
Hope Abbey Mausoleum will be open to the public again on Thursday, when the Eugene Sacred Harp Singers perform a free concert of 19th century American shape-note singing inside the resonant building.
Sacred Harp is a style of singing, also known as fasola or shape-note singing.
I would like to hear from anyone who composes hymns, both lyrics and music, in the traditional mode of early American hymnody (also known as shape-note singing).
Kieffer, Ephraim Ruebush, and Anthony Johnson Showalter who not only ran shape-note singing schools but also published the books to be used.
I find this extremely dubious both on musical grounds and because the shape-note singing tradition was established in the deep South, and never in the Appalachian mountains, where hymn singing was largely 'Primitive Baptist'--highly decorated, led by a precentor, monophonic, identical in every aspect but language to the Gaelic psalm singing of the Hebrides.
Today, Wright practices shape-note singing and sometimes attends his wife's Catholic church.
Some trace its roots back to 19th-century shape-note singing in the South, although Powell insists that its history goes back no farther than the Jesus movement of the late 1960s.
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