High above the city, on a tall column, stood the
statue of the Happy Prince.
When Ojo entered the room he ran quickly to the
statue of Unc Nunkie and kissed the marble face affectionately.
What, if a city did become a mummy, and a
statue lay in the mud!
Every man of them ought to have a
statue, and on the pedestal words like those of the noblest ruffian of the Revolution: 'Que mon nom soit fletri; que la France soit libre.'"
Let
statue, picture, park and hall, Ballad, flag and festival, The past restore, the day adorn And make each morrow a new morn So shall the drudge in dusty frock Spy behind the city clock Retinues of airy kings, Skirts of angels, starry wings, His fathers shining in bright fables, His children fed at heavenly tables.
"If it's properly made," replied Mombi, "it will change or transform you into a marble
statue."
In the first place then, some one may doubt whether the getting of money is the same thing as economy, or whether it is a part of it, or something subservient to it; and if so, whether it is as the art of making shuttles is to the art of weaving, or the art of making brass to that of
statue founding, for they are not of the same service; for the one supplies the tools, the other the matter: by the matter I mean the subject out of which the work is finished, as wool for the cloth and brass for the
statue.
My investigations in the villa have shown me several fine pictures and
statues; furniture tastefully selected, and admirably made; and a conservatory of the rarest flowers, the match of which it would not be easy to find in all London.
The
statues are all large; the palace is grand; the park covers a fair-sized county; the avenues are interminable.
"It is all very well," said the Monkey, "to laugh at my offspring, but you go into any gallery of antique sculpture and look at the
statues and busts of the fellows that you begot yourself."
Then in the long, pointed windows, glass of a thousand hues; at the wide entrances to the hall, rich doors, finely sculptured; and all, the vaults, pillars, walls, jambs, panelling, doors,
statues, covered from top to bottom with a splendid blue and gold illumination, which, a trifle tarnished at the epoch when we behold it, had almost entirely disappeared beneath dust and spiders in the year of grace, 1549, when du Breul still admired it from tradition.
It makes a body ooze sarcasm at every pore, to go about Rome and Florence and see what this last generation has been doing with the
statues. These works, which had stood in innocent nakedness for ages, are all fig-leaved now.