This
syntactical flexibility allows for an ambiguity, perhaps even an anonymity, that cannot be achieved in English-language poetry, or at least not in the same way.
Besides personality development, my vocabulary and the
syntactical usage also improved considerably.
This multilingual heritage can influence the
syntactical structure and seriously impact clarity and precision.
These symbols are formed into meaningful materials with the help of morphological,
syntactical, semantic and phonological process.
A recent approach to the age-old linguistic problem of determining the notion of word is to recognize that it is not a single category, but relevant to all major levels of linguistic description--thus there are morphological words,
syntactical words, phonological words, semantic words, and so on.
Dermisache titled and grouped her works according to their easily recognizable format--Text, Book, Letter, Sentence, and so forth--and all play with the architecture of language through invented lexical and
syntactical structures.
His approach to editing the text is based on the (persuasive) argument that these features were part of the original text and were not introduced by a copyist's hand, and it involves the decision to amend the text according to the norms of Classical Arabic only selectively, rectifying orthographical deviations but retaining morphological and
syntactical deviations, among others.
One can enjoy it as a novelty, at several different levels: the Latin generally follows classical usage, but those who once had some Latin but forgot most of it will find that lexical and
syntactical choices that align well with English have been favored.
The gradual development of the concrete denotation of time from the beginning to the abstract connotation of its wasting process in the middle and to the imaginative symbol of death itself at the end also tightens the
syntactical structure of the poem as an organic whole.
For Hardy, these questions about forms of knowledge and knowing reverberate in the repeated
syntactical phrase.
Harman is herself a gifted storyteller, writing with a congenial flair and eschewing the
syntactical convolutions that many literary biographers employ.
Readers open to her enigmatic
syntactical structures, wide-angled metaphors, and metamorphic images multiplying in dream-like fashion will be richly rewarded.