The Akarima literally means the one who beats the drum and according to Locke (2002) he plays the timpana drum also called the talking drum (see Figure.
As such, there is an Asante influence evident in the drum language through the instrumentation of the ensemble which includes an iron double-bell called dawoulei, the timpana large side-by-side drums referred to locally as "talking drums," and the usage of Asante proverbs and praise names played by the various drums and bells of the ensemble (Locke, 2002).
The timpana or the talking drum constitute a pair of drums, each of which is anchored on a pair of stand as shown in fig.
Asked a respondents if the Akarima sing when playing the timpana, he responded by saying no, the drum is talking why should I talk again.