As contributing reviewer, William Barnewitz wrote in his 2017 The Horn Call review of Katzen's Volume III, "[In the past], Wendell Hoss's transcriptions of the Bach cello suites added an accessible if not slightly simplified challenge to the horn repertoire that appealed to horn players
woodshedding their low-horn skills and that was rich with both technical and musical workouts.
Rochford sounds like no one else, a feat that shouldn't be so hard to achieve, but, in this world of information overload and institutionalised jazz instruction, is probably the result of an exceptional single-mindedness as well as a great deal of
woodshedding. His playing is full of apparent contradictions: sloppy yet tight, cool yet energising, swinging yet funky.
Prism International, Maisonneuve and on her website,
Woodshedding.org.