They cover from the refutation of drama to the drama of refutation; the castrato
as a rhetorical figure; family, city or state, and theater: Carlo Gozzi and the rhetoric of conservatism; rhetoric and early modern Latin drama: the two tragedies by the "Polish Pindar" Simon Simonides (1558-1629): Castus Joseph and Pentesilea; verse games: meter and interactional German in the Baroque plays of Andreas Gryphius; and rhetoric and the culture net: transnational agencies of culture.
Rauzzini himself was a castrato
, composer, pianist, singing teacher and concert presenter, but in December 1772 in Milan, Rauzzini inaugurated the primo uomo role of Cecilio in the premiere of the opera Lucio Silla by Mozart.
The Inquisitor's intention is to make the boy a castrato
, but the boy has hidden powers, summoning them through his singing to evade his fate.
As a castrato
, he is angry at the padres for their deceit, but quickly becomes their best singer along with his friend, Paolo.
is an enjoyable portrait of post-Renaissance Italy told from a fresh and original point of view.
While high male singing encompasses several voice designations, including tenor and castrato
, the subject of this book is falsetto.
Masks and Shadows is set in 1779 and centers around Carlo, a famous castrato
singer in Europe who has been invited to the royal palace as a guest.
The three suitors chasing Katherina's sister Bianca (sweetly-danced by Yvette Knight) take drollery to new heights with some lovely trio-work where James Barton's dotty Gremio squawking his love for Bianca in a castrato
falsetto steals the show, and we get Cranko's original use of horizontal hand movements and curious lifts with feet turned out which are pure Buster Keaton.
Then too, when the castrato
first came into being, the human body in Europe was still a relatively open site, permeable and reproducible" (p.
The composer was 16 when writing this specifically for a male castrato
However, even the great castrato
was unable to save the original production, which charts warrior Orlando's descent into madness following his rejection by the noble Princess Angelica, from bombing at the box office.
According to a press release from Harvest Tide Productions, "Spinning off from the story of the last famous castrato
Alessandro Moreschi, who recorded (`Ave Maria') in 1902, Shea takes horror fans into the haunted woods of New England to witness the twisted reenactment of an old Catholic tradition.