chanson de geste


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chanson de geste

 (də zhĕst′)
n. pl. chansons de geste
Any of more than 80 Old French epic poems of the 11th to the 14th centuries celebrating the deeds of historical or legendary figures, especially the exploits of Charlemagne and his successors.

[French : chanson, song + de, of + geste, heroic exploit.]

chanson de geste

(ʃɑ̃sɔ̃ də ʒɛst)
n
(Poetry) one of a genre of Old French epic poems celebrating heroic deeds, the most famous of which is the Chanson de Roland
[literally: song of exploits]

chan•son de geste

(ʃɑ̃ sɔ̃ də ˈʒɛst)

n., pl. chan•sons de geste (ʃɑ̃ sɔ̃ də ˈʒɛst)
a medieval French epic poem, typically dealing with historical or legendary heroes of the time of Charlemagne.
[1865–70; < French: literally, song of deeds]
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.chanson de geste - Old French epic poems
epic, epic poem, heroic poem, epos - a long narrative poem telling of a hero's deeds
References in periodicals archive ?
Tisse a l'intention d'un ami aveugle admirateur de Zinedine, qui n'a jamais vu son visage ni ses dribbles virtuoses, le recit de Memos prend une dimension epique et flamboyante, pour devenir une chanson de geste moderne.
She analyzes the forms and affinities of Otinel, La Destruction de Rome, and the Roman de Horn to demonstrate their authors' deliberate evocation of chanson de geste.
et Moralisier ung Petit': Aspects of Allegory in the Mysteres" (189-218); Jelle Koopmans, "Turning a Chanson de Geste into a Mystery, or Non-Religious and Chivalric Mystery Plays" (219-46); Charles Mazouer, "Sermons in the Passions of Mercade, Greban and Jehan Michel" (247-70); Francesc Massip and Lenke Kovacs, "A Typology of Catalan Hay Manuscripts from the Fourteenth Century to the Sixteenth Century" (271-322).
C'est sans doute a cause de l'importance du "Sac" en general, et peut-etre encore de l'introduction d'une matiere jusqu'ici etrangere a la chanson de geste, a savoir la courtoisie des troubadours et des premiers romanciers francais qui a du attirer egalement l'interet des copistes tout au cours de la transmission du Charroi, que les vingt premiers vers de ce recit surtout constituent le passage le plus brouille de tout le poeme.
In chapter 3, "Genres, Language, and Literary History," Furrow examines the "neighbouring genres" of chanson de geste and fabliau, which in French and in Anglo-Norman literary circles define romance by contrast.
Edited and with commentary by Morgan (modern languages and literatures, Loyola College), this two-volume text reproduces all of these chanson de geste in a single format.
If antique romances are somewhat better represented, this may well be because they were regarded as historically based, as may also be the case with the high prestige quality of manuscripts of chanson de geste themes (Charles the Great, Roland, Willehalm).
In the second chapter of this section, "The Conflicting 'Family Values' of the Marciano XIII Manuscript," Vitullo continues to analyze the problematic assimilation of competing discourses in the epic narratives of the chanson de geste.