chronicle play

chronicle play

n.
A dramatization of historical material, especially the Elizabethan dramas based on the chronicle histories of England.

chronicle play

n
(Theatre) a drama based on a historical subject
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From beginning to end, Henry V is informed by an acute "metadramatic self-consciousness," which entails a close scrutiny of the discursive modes and conventions associated with the English chronicle play.
The chronicle play which was contemporaneous with early history plays simply served to string together a series of dramatic episodes from some period in the past, often with a crude didactic purpose.
Wright, '"The Historic of King Edward the Fourth": A Chronicle Play on the Coventry Pageant Wagons', Medieval and Renaissance Drama in English, iii (1986), 69-81.
Finally, Couragemodell 1949, the third and last of the Brechtian "Modellbucher," renders a detailed account of Brecht's chronicle play Mutter Courage und ihre Kinder as produced by him in Berlin in 1949, once more with Weigel - needless to say - playing the lead; its publication too occurred posthumously, in 1958.
Chronicle plays often point to the past as a lesson for the present.
More complex and multivalent than at first it appears, this particular chronicle play not only presents itself as a panegyric of English heroism and national pride (including an allusion to the defeat of the Spanish Armada); (20) it also casts a critical light upon the problems inherent in absolute monarchy as exemplified by the dangerous conduct of a figure such as Edward III who is at once glamorous and repellent, brave and unfeeling, virtuous and potentially vicious.
Composed of 12 scenes, the work is a chronicle play of the Thirty Years' War and is based on the picaresque novel Simplicissimus (1669) by Hans Jakob Grimmelshausen.
As dramatists they developed the Senecan revenge tragedy, the use of bigger - than - life characters, the chronicle play, and the romantic comedy.
Saint Joan Chronicle play in six scenes and an epilogue by Shaw, George Bernard, performed in 1923 and published in 1924.
The canonization of Joan of Arc in 1920 reawakened within Shaw ideas for a chronicle play about her.
They transformed the native dramatic inheritance of interlude and chronicle play into a potentially great drama by writing plays of quality and diversity.
Murakami reads Pickering's play as a response to Preston's Cambises and she argues that together the plays show how such chronicle plays as these evoke moral positions opposed to those found in the earlier moral dramas.