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n. pl. dis·tichs
1. A unit of verse consisting of two lines, especially as used in Greek and Latin elegiac poetry.
2. A rhyming couplet.

[Latin distichon, from Greek distikhon, from neuter of distikhos, having two rows or verses : di-, two; see di-1 + stikhos, line of verse; see steigh- in Indo-European roots.]


(Poetry) prosody a unit of two verse lines, usually a couplet
[C16: from Greek distikhos having two lines, from di-1 + stikhos stich]
ˈdistichal adj


(ˈdɪs tɪk)

1. a unit of two lines of verse, usu. a self-contained statement; couplet.
2. a rhyming couplet.
[1545–55; < Latin distichon; see di-1, -stichous]
dis′ti•chal, adj.


a couplet or pair of verses or lines, usually read as a unit.
See also: Verse
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.distich - two items of the same kinddistich - two items of the same kind    
fellow, mate - one of a pair; "he lost the mate to his shoe"; "one eye was blue but its fellow was brown"
2, II, two, deuce - the cardinal number that is the sum of one and one or a numeral representing this number
doubleton - (bridge) a pair of playing cards that are the only cards in their suit in the hand dealt to a player


[ˈdɪstɪk] Ndístico m
References in classic literature ?
no, indeed; a man who makes districts -- distichs, I mean -- at fifteen francs
Because, in my opinion, the crime of the man who writes a distich is not so great as that of the man who resembles "
Well, if I had any curiosity, it would be to see the poor author of the distich.
Further structural options include a distribution of lines in quatrains and tercets with two turns for each character (4x+4y+ 3x+3y); in distichs and tercets with three turns (2x+2y+2x+2y+3x+3y); a line for each verse with seven turns; and finally one in which each verse contains a full dialogic unit, multiplying the turns to fourteen.
to a series of striking lines or distichs, each of which absorbing the whole attention of the reader to itself disjoins it from its context, and makes it a separate whole, instead of an harmonizing part" (2:14).
Published in his Miscellaneous Poems (1681) are the Latin elegiac distichs addressed "To a Gentleman that only upon the sight of the Author's writing, had given a Character of his Person and Judgment of his Fortune" (how far this is Marvell's own title remains uncertain).
Vitalis wrote his poem in quasi-elegiac distichs of alternating dactylic feet.
Despite the affordable and therefore potentially 'popular' form of these broadsides, such texts actually make little effort to accommodate a socially diverse ('popular') audience: they assume and expect a certain degree of education, albeit a level of learning that smacks of the schoolroom, with its emphasis on grammatical competence and knowledge of textbook staples like Terence, or Cato's Distichs.