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Broadly speaking, Gerhard's musical style tends toward a fusion of folklike elements with free dodecaphonism.
Undoubtedly his music reflects this varied background: his detached, sometimes (though seldom) ironic use of nationalism, his unorthodox approach to dodecaphonism, and his use of musical quotations are among the most manifest stylistic features of his music.
The discussion of Gerhard's stance concerning dodecaphonism is very enlightening.