39) Stoics, like some other philosophers who were active teachers continued to be respected, as shown for example by the inscription of 122/1 BC commending ephebes
to Stoics, Academics and Peripatetics as teachers, (40) and individuals could be honoured for their role as intellectuals, or at least as fairly harmless eccentrics.
Polinskaya (2003, 14n14) therefore distinguishes a broader notion of the ephebe
from its association with the ephebeia institutionalized by Lycurgus in the second half of the fourth century BCE, defining ephebes
in this sense "as an age-group, from the onset of puberty to twenty years of age when young men gained full access to citizenship rights.
As Lazare put it, "La foule et la police meme verraient d'un mauvais oeil le passant qui, dans les Tuileries ou le Luxembourg, reunirait autour de lui des ephebes
A substantial proportion of Medea's audience in 431 BCE would have been comprised of adult male citizens of Athens, likely organized in the Theater of Dionysus into thirteen kerkides or 'wedges,' ten of which were occupied by the ten traditional tribes of Attica; the middle wedge was allotted to members of the year's boule and ephebes
, while the outer two were occupied by noncitizens.
There are lightly bearded ephebes
with their flies in the rear.
Recent scholarship suggests that the choral dancing was performed by ephebes
(young men) in their athletic prime and resembled "aesthetically elevated" military maneuvers (Winkler 22-23).
On the second year they did practical military exercises, and ephebes
(young men of age) were assigned to military frontier garrisons.
1983) that Foucaultian Edward Said and his ephebes
were experiencing/expressing their egoistic fantasies of/ aspirations to political power over "the common man" in "the Age of Reagan"--"the common man" who was indeed despised by Said and his politically frustrated extreme left-wing followers who in fact hated the (pro-Reagan) "common man" for his common sense and earthy independence and self-reliance: "common man" qualities supremely manifested by the man who may well have been the greatest--and most frustrating (to Foucaultian elite extreme "power"-obsessed left-wingers in academia)--"common man" of all: D.
of Krekopis of 332/2 at Eleusis>>, AE 127, 1988 , 19-30.
In literary studies, Harold Bloom labels this awareness the "anxiety of influence," a dynamic where young poet ephebes
, locked in a Freudian family drama, wrestle with their older master precursors in order to make "history by misreading one another".
Unlike other statues of ephebes
from this period, who are depicted nude, the Motya young man is clothed in a fine long tunic with flowing pleats bounded by a high girdle.
His statues of ephebes
and his busts would have been inconceivable without the example of Mantegna's Paduan frescoes and the Triumphs of Caesar, a brilliant demonstration of sculpture and architecture all'antica.