ethnomusicology


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eth·no·mu·si·col·o·gy

 (ĕth′nō-myo͞o′zĭ-kŏl′ə-jē)
n.
1. The scientific study of music, especially traditional or non-Western music, as an aspect of culture.
2. The comparative study of music of different cultures.

eth′no·mu′si·co·log′i·cal (-kə-lŏj′ĭ-kəl) adj.
eth′no·mu′si·col′o·gist n.

ethnomusicology

(ˌɛθnəʊmjuːzɪˈkɒlədʒɪ)
n
(Music, other) the study of the music of different cultures
ˌethnomusiˈcologist n

eth•no•mu•si•col•o•gy

(ˌɛθ noʊˌmyu zɪˈkɒl ə dʒi)

n.
the study of folk or native music, esp. of non-Western cultures, and its relationship to the society to which it belongs.
[1945–50]
eth`no•mu`si•co•log′i•cal (-kəˈlɒdʒ ɪ kəl) adj.
eth`no•mu`si•col′o•gist, n.

ethnomusicology

1. the study of the music of a particular region or people from the viewpoint of its social or cultural implications.
2. the comparative study of the music of more than one such region or people. — ethnomusicologist, n.
See also: Music
Translations

ethnomusicology

[ˌeθnəʊmjuːzɪˈkɒlədʒɪ] Netnomusicología f
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References in periodicals archive ?
I have never been able to understand Latin American ethnomusicology as a discipline with fixed boundaries.
At that time, Eleonore (a native Parisian) was in town for a month inventing klezmography, a merger of her academic interests of geography and ethnomusicology.
As joint authors, Trinidadian bandleader Roy Cape recounts and reflects on his experiences, and ethnomusicology professor Jocelyne Guilbault interrogates and frames his stories.
Editors Kelleher and Kenneally present readers with a collection of essays by leading scholars from the Canadian province of Quebec and Ireland in the fields of design, linguistics, literature, history, ethnomusicology, sociology, music, and theater, examining various aspects of both cultures and the impact of Irish migrants on the development of Quebecois culture.
The author is an Associate Professor in the Department of Folklore and Ethnomusicology at Indiana University, Bloomington.
The analyses include both very general and quite specific discussions concerning the fields of ethnomusicology, historiography, anthropology, and sociology.
Demetriou is a research fellow in Ethnomusicology and Life Writing at Wolfson College, University of Oxford and in 2005, when she was doing fieldwork for her PhD, she returned to Cyprus to do a series of interviews with elderly folk musicians.
The fellowship is open to students currently enrolled in a graduate program in Ethnomusicology, Musicology, Folklore, Anthropology, or other relevant discipline.
At the Royal College she took an early interest in what at the time were little known European composers, such as Bartok, who may have stimulated her interest in folk music and ethnomusicology.
Academic citizenship, administration, music business and industry, careers in music, community engagement, composition, cultural inclusion, ethnomusicology, higher education, mentoring, music education, music in general studies, music technology, music theory, musicology, performance, and the scholarship of teaching and learning are explored in a variety of formats, including open discussions.
Heartbeat of the People: Music and dance of the Northern Pow-wow by Tara Browner (Choctaw), Professor of Ethnomusicology and American Indian Studies.
Each session featured presentations by experts in their various fields from anthropology to archaeology, from natural history to ethnomusicology.