It reveals how the generation process in itself, with its specific social rhythms of arrhythmic or eurhythmic
character, is confronted with the material and symbolic features of the culturally and socially specific (national) historical landscapes, and the specific nature of these landscapes.
Rather, it is about examining how various rhythms relate to one another (in, say, polyrhythmic, isorhythmic, eurhythmic
, or arrhythmic forms).
1]--to cover in a * Exercises with portable objects correct manner the applicative course and to creatively use the * Application courses acquired skills; * Physical development exercises OA--to stimulate the physical exercise and extracurricular * Sport games activities * Eurhythmic
exercises * Athletic exercises [OPM.
For Lefebvre, noise is "chaotic" and "has no rhythm," (38) It is only in dissecting the distinct rhythms of Sunrise's montage (the repetitious movements of a marching band, two twirling banners, an antsy conductor, and a dancing crowd) that a eurhythmic
relationship is revealed.
Her idea was based on the eurhythmic
theories of Jacque Dalcroz.
Worthen believes that the later text was overly influenced by Lawrence's reading of James Pryce and Madame Blavatsky (14), making it more metaphysical and less contemporary: "Even when Ursula sings so that Gudrun can do eurhythmic
movements, in the 1916 novel she incongruously comes up with 'It's a long long way to Tipperary,' that most famous of wartime marching songs: it would have been hard to locate the novel more precisely in wartime (the song had only been published in 1912).
Lessons should be rich in multi-sensory and eurhythmic
A sublime setting, with classical music and eurhythmic
timekeepers once again illustrated the close relationship between RAYMOND WEIL and art.
Fourth in a Curragh maiden on his debut, Table mountain made the expected improvement to win his maiden here under Joseph O'Brien, beating Eurhythmic
, which was beaten at Cork over the weekend.
Therefore, students express the music they hear and move their hands, limbs, and bodies to show their own feeling in various eurhythmic
ways (Reimer, 1989).
Representations of representations continue and multiply ad infinitum, deflecting light from the source of the shadows until the cave becomes a eurhythmic
spectacle of light.
Methods include music relaxation for children and adults, imaginal listening, song and lyric discussion, song reminiscence, listening based on the client's preferred music, appreciation activities, music collage, and somatic and eurhythmic