Their topics include the role of the abbots of Le Bec 1034-1281, Anselm of Le Bec and Canterbury: teacher by word and example following the footprints of his ancestors, Robert of Torigni and Le Bec: the man and the myth, custom and identity at Le Bec, education and schooling at Le Bec: a case study of Le Bec's florilegia
, and the monks of Le Bec and their benefactors: the nature and meaning of religious patronage.
This feminist stance appears in illuminations of biblical and patristic texts, the deliberate editing of texts to eliminate traces of misogyny, and the selection of texts for florilegia
and collections of saints' lives highlighting the public role of religious women in the church.
, and Sermons: Studies on the "Manipulus florum" of Thomas of Ireland.
Similarly, anthologies or florilegia
were often organized in accord with topics of confessional interest, in which "Augustine was mined for proof texts about topical arguments, rather than as an independent source of intellectual inspirations" (91).
V Dougherty deflates the reputation of novelty often attached to Pico's work, demonstrating its compatibility with the traditions of quaestiones disputatae, florilegia
, and dialectic.
The early assembling of such florilegia
of single and / or excerpted stanzas is a peculiarity of the transmission of Occitan lyric.
altaistica; studies in honour of Denis Sinor on the occasion of his 90th birthday.
The similarity of this gathering of literary passages to the collecting of flowers in gardens and meadows did not escape poetic minds, and led to the designation of such collections of commonplaces as anthologies or florilegia
3) Invoking their auctoritas in a manner reminiscent of a compiler of florilegia
patrum, she urges historians to consider taking up the challenge of a "new intellectual history.
The designs in the Florilegia
collection are inspired by the Royal Horticultural Society archive.
Though such passages were commonly written down in medieval florilegia
, Ong follows Havelock (1963) in attributing them to a much more ancient oral tradition that valued the flow of words and constantly recycled sayings lest they be lost by forgetting.
Fubini begins with Petrarch (1304-1374), who disdained medieval florilegia
but himself used classical and ecclesiastical authors in a more assimilated process of composition.