The Chinese origin of "interality" is "[TEXT NOT REPRODUCIBLE IN ASCII]" (pronounced as "jian"), which later on took the form of "[TEXT NOT REPRODUCIBLE IN ASCII]" and finally got simplified as "[TEXT NOT REPRODUCIBLE IN ASCII]" The word "[TEXT NOT REPRODUCIBLE IN ASCII]" is an ideograph
made up of a moon inside a door.
This is for the first time an ideograph
has topped the charts as the most popular word.
Particularly in Egypt, in spite that they had great advances from the beginning and they developed ideograph
writing, and then syllabic writing and finally they invented real alphabet writings, scribes that had influence on scientific works and governments, preferred to keep writing a hidden secret and inaccessible to the public.
But during the peace and prosperity of the 17th century, another ideograph
, also pronounced uki but meaning 'to float,' emerged.
Isaac Taylor, for example, in his great work, The History of the Alphabet, has shown how the change in the form of writing--from ideograph
to alphabet--made information available to people to whom it had previously been denied.
As "an ordinary language term found in political discourse," an ideograph
is "a high-order abstraction representing collective commitment to a particular but equivocal and ill-defined normative goal" to reconstruct other "comparative 'presents' of the language as they existed in the past" (McGee 12).
, for Taymor, is an abstract essence of an emotion, action, or character that evokes a work's central concept.
The authors analyze the emergence of the <new evangelization> as an ideograph
in the Roman Catholic Church at international, national, and local levels--metropolitan Detroit in particular.
For instance, tetrads of elements and building configurations that resemble the ideograph
for the number four ([?
The unit in an ideographic language is holistic whereas units in English are sequential and linear; however, visual perceptual processes underpin production and interpretation of language units, both letter and ideograph
For Barnett Newman, edges did not just delimit a painting's surface; they conveyed a shape that was real, a near ideograph
As many have observed, the ideograph
is an attractive but evanescent notion with few clear-cut examples in real Chinese usage.