intertextuality


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in·ter·tex·tu·al

 (ĭn′tər-tĕks′cho͞o-əl)
adj.
Relating to or deriving meaning from the interdependent ways in which texts stand in relation to each other.

in′ter·tex′tu·al′i·ty (-ăl′ĭ-tē) n.
in′ter·tex′tu·al·ly adv.

intertextuality

(ˈɪntəˈtɛkstjuːˌælɪtɪ)
n
(Literary & Literary Critical Terms) literature the ways in which texts are interrelated and meanings that arise out of this
Translations

intertextuality

[ˌɪntətekstjʊˈælɪtɪ] Nintertextualidad f

intertextuality

n (Liter) → Intertextualität f
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References in periodicals archive ?
What I will note with curiosity is that Schmitt precludes conversation with psychoanalytic theory within a detailed discussion of intertextuality and hauntings, two concepts that owe as much to psychoanalysis for their origins and propagation as to deconstruction and literary theory (e.
Can we set ourselves free, in Pitavy's sense, from the merely verbal kind of allusion in order to explore a deeper kind of intertextuality in those Faulkner novels that are already without a "too visible marker" of biblical presence?
To begin with, there is the need to elaborate on the topic of intertextuality and explain why it should be applied in relation with reception theory.
The Great American Scaffold: Intertextuality and Identity in American Presidential Discourse.
Specific topics include: the faces of evil in King Lear, evil in disguise in the form of the convent in the Victorian Protestant novel, the problem of violence in the poetry of Theodore Roethke, social evil in the writings of Eliza Orzeszkowa and Charles Dickens, evil and intertextuality in William Faulkner's The Sound and the Fury and Cormac McCarthy's Outer Dark, reading and writing evil in J.
I begin with a definition of intertextuality proposed by Marko Juvan in his 2008 History and Poetics of Intertextuality:
In this essay I explore intertextuality and its uses in Eniima elis.
Once again, from philology to stylistic analysis, from intertextuality to historical and theoretical discussions, some of the best scholars of Italian studies have enhanced the critical debate on Italian culture, choosing Italica as a venue for their publications.
The book contains seven stories centered on women's daily life and experiences, in a creative style sometimes referred to as postmodern intertextuality.
The major theoretical paradigms which are used for explaining this ambiguous phenomenon are the following: the theory of differences between the representational characteristics of the word and the image by Lessing, the theory of intertextuality and intermediality by Mikhail Bakhtin, Roland Barthes and Julia Kristeva and the idea about the "mixed media" and the possibility to use the "impure" state of the media environment for the communication with the other by Mitchell.
a free man in the nickel package I spoke these things to his picture on the back book flap but his reaction wasn't personal He nodded as if remembering and just absorbed what I'd said to further talk and further writing How lonely it was then annihilating We couldn't mingle our dreams We were like parallel lines horses grazing past each other in the fields of intertextuality
It adds an introductory chapter that looks at the transition from school-reader to university-reader in more detail; develops the idea of reading as a creative endeavor; makes more connections between chapters, especially how different aspects of reading relate to each other; adds new sections on genre, intertextuality, and adaptation; links critical theory throughout chapters; reshapes the chapter on theory; and adds new examples, readings, exercises, and checkpoints, as well as tips on writing critical essays and conducting independent research.