Thinking back to readers' sometimes complex motivations, I am reminded of MacLachlan and Reid's Framing and Interpretation (1994) where they argue that we can approach reading through four frames: extratextually (who I am as a reader and what I bring to the text), circumtextually (what sits around the text to invite me in/keep me out), intertextually
(how I make meaning of this text through what I know of other texts) and intratextually (what sits within the text to generate meaning).
Similarly, the volume as a whole presents itself with a purposeful lack of clear conclusivity, or even linear sequencing: the stories exist as loosely correlated chapters, connected intertextually
to other narratives in other volumes.
9) It seems intertextually
to the point as well, for reasons that will become apparent, that Papingo finally commends his spirit, as he leaves behind the corrupt court of worldly pomp, 'to the Quene of Farie, / Eternalie into hir Court to tarie'.
Besides bringing his knowledge of the Great War effectively to bear, Sherry deals suggestively with a mechanically inflected ballet and proposes a reading of Hugh Selwyn Mauberley that invokes intertextually
a story by Max Beerbohm.
The fugitive theme of carpe diem combined with lament clearly invokes the sense of human loss, love, and decay that shadows love lyrics in English--most influentially perhaps in Shakespeare's sonnets--invoking, intertextually
, the passionate strain that enriches the poem.
, one can recognize an allusion to Appolinaire's enigmatic verse "Soleil cou coupe" (in Zome).
Titscher et al (2000) state that discourses are intertextually
connected to other discourses.
Reading Job Intertextually
, New York: Bloomsbury, 2013.
Raine's works, thus, form an unintentionally conceived trilogy of plays that intertextually
interact with each other.
linking and superimposing these two categories of legislation, a critical lens drawing on institutional ethnography is applied.
29) concludes that, 'no longer an incoherent and marginal work in barbarous Latin, it is now viewed as an elegantly expressed, intertextually
complex and narratologically intriguing central work of Roman literature'.
Second, GAN contenders tend to be acutely aware of their predecessors and often comment on them intertextually
(for instance, Buell looks at Invisible Man as a response to Hucklebeny Finn).