Spencer notes that Hermione is a blend of characters, namely Helen of Troy, Prometheus, and Medusan
whose charms Rouse torments exquisite and cruel delights, Whose lovely glance, when turned on Bellon's host, Shivers the spear-shafts, breaks the serried shields, Do you oust Mars this day, bid Hymen in, And tear the snakes from Strife's Medusan
The political valence of such Medusan
power becomes quite explicit when one considers the immediate historical context of Shelley's poem, the radical working class movement for parliamentary reform that culminated in the massacre at St.
This writing demonstrates Lilith's sexual and personal self-assertion, her pariah, morally dubious, witchlike or Medusan
qualities, and her life and death qualities as embodied in the primeval snake symbolism of Eden, as both goddess and devil.
Thus, despite this initial appearance of double-labeling, the staining of the two networks with FMRF-amide and tubulin antibodies was functionally distinct, and therefore useful in describing the double-innervation of the various medusan
11) Perseus's encounter with Phineus is particularly relevant to Petrarch's appropriation of this scene because it is the first time that Medusan
petrification is linked explicitly to fame.
configurations of human interaction" even as it attempts to enforce them (Haggerty 3-4), what Eustace articulates is unease at the prospect that Primrose's own Medusan
femininity might make him, as a student of mine once put it, "rock hard.
And again: "la fissai; e, come ella rimaneva muta, a poco a poco non vidi se non gli occhi suoi larghi, straordinariamente larghi, e cupi ed immobili" (468), thus evoking not only the mystique surrounding the feminine, but also her medusan
paralyzing nature as well.
The stricken, Medusan
images have a peculiar power of desolation and of reaching into the desperate historical predicament of the post-bellum South.
Under her unerring Medusan
gaze, which would turn the entity of her sight into a solid "rock," Pierre metamorphoses precisely into "the hero of some dark hope forlorn, whose cruelness makes a savage of a man," though, as I will suggest, this reversal of the binary between civilization and savagery--this de-structuration of "structure"--will take on a meaning that is antithetical to that which her centered/panoptic perspective--and that of the writers whose domestic novels of manners Pierre had so well "conned"--intends.
Its glistening, dull-purple flesh looks like wet clay or Medusan
genitalia; its arms snake through a scatter of gold dragees.
The writer rarely deviates from first stating her theme (the voice, for example), then presenting an extended excursus or development (the siren song, Circe, Medusa, Gorgon, the flute), and finally returning to the tonic chord (the castrato figure, representative of the Medusan