Noel Vanstone's father had been the most powerful mesmerist
in Europe, and Mr.
Mesmerism originally referred to 'the transfer of energy between the mesmerist
and the client to induce a special trance state to heal him/her of a physical ailment or to reconcile emotional or physical issues.
My fingers spin a song of joy and mesmerist
flute twirls melodiously with happy tune my soul plays out.
A 19th century court case story of Thomas Guthrie Carr, a notorious, larger-than-life mesmerist
, phrenologist, public speaker and some say charlatan.
By contrast, he emphasizes Zenobia's gift for fashioning a story seemingly out of thin air and transfixing her audience by sheer personal magnetism, an ability that aligns her with the mesmerist
Thus, in mesmerism the active will power of the mesmerist
is the crucial factor; while in mediumism what is essential is the degree of passiveness that the will can attain--the higher the degree, the better the results.
These were stirring events, in addition there were such diverse draws as Levene the Mesmerist
with a most entertaining exhibition, and Jem Mace, the champion of England in pugilism.
Parcelsus Wriggledum as physician and mesmerist
, and others.
Flowers served as a burgeoning metaphor for the German Romantics--as exemplified by Novalis's blaue Blume--and Hausner knowingly makes them a central motif in her demolition of said Romanticism, from the violet that is ecstatically trampled to death in the Mozart lied performed in the musicale that opens the film to the primroses later invoked in a Beethoven song and the blooms whose fading Henriette confesses to fear while under hypnosis by the mesmerist
who attempts to cure her condition.
Hardly the mesmerist
I'd hoped to hear, though there's this consoling thought: A river can't lead you to nowhere.
That would happen toward the end of the nineteenth century, in Victorian works such as George du Maurier's Trilby (1894), whose demonic Jewish mesmerist
, Svengali, gave memorable form to the era's anti-Semitic anxieties; or, more obliquely, in Bram Stoker's Dracula (1897), which coded the monster at its core as Jewish in covert yet potent ways.
Torture doesn't work to bring it back, so underworld tough guy Franck (Vincent Cassel, terrifically unpredictable) suggests hypnotism, allowing Simon to pick his own mesmerist