narrative painting


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narrative painting

One that tells a story; very popular in Victorian England.
References in periodicals archive ?
The result is Saint Francis and the Novices, an image more narrative painting than traditional icon.
The altarpiece cycle, started three years ago, is his recent development in narrative painting.
The visual clarity and unfussy style that made her appear destined for a career in book illustration transferred well to narrative painting, and in The Potato Harvest (1918), made while Knights was evacuated to rural Worcestershire, she conveys the order and satisfaction of rural life, without sentimentality.
In 'The Passion of Edith Cavell', with its subtitle 'The Way of the Cross', Whelan depicts the life and death of Cavell in the tradition of East Anglian narrative painting while referencing the format and precendences of stations of the cross.
Tuesday, June 9 - a talk on Narrative Painting in Renaissance Venice by Caroline Brooke, part of a series from Halifax Decorative & Fine Arts Society.
A generous offering of illustrations includes black and white figures as well as four color plates of paintings by Jack Yeats that are helpfully referred to, for example Brown points out the various uses of grays in creating depth in the narrative painting Draughts (1922), now in the National Gallery.
The critic Patricia Brown in Venetian Narrative Painting in the Age of Carpaccio writes that "Carpaccio had an acute sense of interval, of gesture, of cadence, and of the rhythmic placement of solids and voids.
But against the reign of the trend in contemporary narrative painting, Wood's work is neither mocking nor intended as formal critique.
Beginning in 1948, Wayne immersed herself in Kafka's comical and menacing world, inventing her own style of narrative painting.
On the one hand, he claims that narrative painting came to Java and Bali from India while on the same page he states that no paintings are found in India that are demonstrably ancestral to those of Bali (p.
Its focus on illustration and narrative painting, two of the most popular Victorian-era genres, would seem to place PICTORIAL VICTORIANS in our art section but we're reviewing it here for its important historical and cultural insights.
The volume under consideration is in the same series as the two volumes by Dieter Schlingloff that concentrated exclusively on the narrative painting at Ajanta, reviewed by me earlier in this journal (JAOS 123 [2003]: 420-23).