necrophiliac


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nec·ro·phil·i·a

 (nĕk′rə-fĭl′ē-ə) also nec·roph′i·lism (nĭ-krōf′ə-lĭz′əm, nĕ-)
n.
1. Obsessive fascination with death and corpses.
2. The deriving of sexual gratification from fantasies or acts involving a corpse.

nec′ro·phil′i·ac′ (-ē-ăk′) adj. & n.
nec′ro·phile′ (-fīl′) n.
nec′ro·phil′ic (-fĭl′ĭk) adj.
Translations

necrophiliac

[ˌnekrəʊˈfɪlɪæk]
A. ADJnecrófilo
B. Nnecrófilo/a m/f

necrophiliac

adjnekrophil
nLeichenschänder m, → Nekrophile(r) m

necrophiliac

[ˌnɛkrəʊˈfɪlɪæk] nnecrofilo/a
References in periodicals archive ?
The first was in 2009 at the New Yorker festival when, before an audience of increasingly bemused young women who had come to swoon in front of a Hollywood heartthrob, he read out Frank Bidart's poem about a necrophiliac, Herbert White.
The poor monarch wasn't a necrophiliac or a vampire as many believed.
The unwrapping of the ancient female body is not only voyeuristic; it is verging on necrophiliac, and there is more than a hint of sexual violence in these performances.
Of special interest is material on less-studied areas, such as necrophiliac offenders and sexually sadistic offenders.
This necrophiliac emotional twist, their invocation of the dead "father of the nation," Franjo Tudman, has a Viagra-like effect, and the chanting soon spills over into "Croatia, Croatia," a sort of uninterrupted, massive, political orgasm.
To write this condition, Borzutzky's sentences circle around entrenched, repetitive, and grotesque forms of violence--sadist, scatological, necrophiliac.
Louis Theroux and DJ Nicky Campbell heard rumours the DJ was a necrophiliac.
He later heard Savile was a necrophiliac too, a rumour also heard by Radio 5 DJ Nicky Campbell.
This story, which is found in manuscript BNM 5223 of the Biblioteca Nacional de Espana in Madrid, folios 242-44, has caught my attention, not only because there is a woman protagonist, but because of the unusual nature of its subject matter: a story about a necrophiliac young man.
could prove enchanting, as in the necrophiliac fixations in The Past and the Present and The Strange Case of Angelica, or turn tedious, as in his update of Bunuel's Belle de jour (1967), whose weakly punning homophonic title, Belle toujours (2006), and replacement of a young Catherine Deneuve with an elderly Bulle Ogier as the masochistic housewife-turned-prostitute Severine, reflect the film's sense of belatedness.
It may be true that Poe was, in Doctorow's words, "a drug-addicted, alcoholic delusional paranoid with strong necrophiliac tendencies.