omnia vincit amor


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omnia vincit amor

(ˈɒmnɪə ˈvɪnsɪt ˈæmɔː)
love conquers all things
[from Virgil's Eclogues 10:69]
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Most revealing is the observation that Michelangelo's Rape of Ganymede provided both the composition for Rembrandt's version of the subject, and the figure of the boy in Caravaggio's Omnia Vincit Amor (1602).
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