phantasmic


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phan·tasm

 (făn′tăz′əm)
n.
1. Something apparently seen but having no physical reality; a phantom or an apparition. Also called phantasma.
2. An illusory mental image. Also called phantasma.
3. In Platonic philosophy, objective reality as perceived and distorted by the five senses.

[Middle English fantasme, from Old French, from Latin phantasma, from Greek, from phantazein, to make visible, from phantos, visible, from phainein, to show; see bhā- in Indo-European roots.]

phan·tas′mal (făn-tăz′məl), phan·tas′mic (-tăz′mĭk) adj.
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phantasmic

adjective
Of, relating to, or in the nature of an illusion; lacking reality:
References in periodicals archive ?
This matrix is an imprint in the human soul, it is an unfathomable matrix, which sets the preliminary conditions for the phantasmic process, therefore the erotic process (Culianu 1994 76).
This is the ideal that the Brettons represent for [Lucy], the complete portability and permanence of national identifications; and yet the scene's strongly phantasmic nature announces it as just that, a fantasy" (2009, 937).
Therefore, Canada developed the boundaries of its national civic body through its opposition to the East, a phantasmic site imagined as harsh, backwards, and unchanging.
The poem eroticizes the dust of antecedent partners, urging readers to find delight in an impossible, phantasmic connection to the past and thereby scrambling simultaneously both gay and straight readings.
All-girl ghost hunting group Phantasmic Paranormal will be exploring Ruthin Gaol next month as part of a trio of events.
All these elements concur with the life of Jennings, and point to a Lejeunian phantasmic pact operating in Moral Hazard, just as it is in Monkey Grip and The Spare Room.
Any collectivity creates phantasmic scenarios which express its relationship with the real.
institutional, ideological, mythic, aesthetic, or phantasmic in
Dinkins echoes Don's phantasmic brother Adam, his wounds persisting beyond death, testaments to a past that cannot be overcome.
Above all else, however, they engender a sense of acute irony: that Stendhal, the messiest, least rule-bound of novelists, should have spent so long and written so much in pursuit of some clearly phantasmic golden rule of literary perfection.