And that has more plangency
because of what we've seen before.
He rarely indulges in plangency
and is as sparing with his emotional effects as he is generous with his melodic and rhythmic effects.
The melody she creates is in a minor key, sonorous, charged with plangency
Piau excels at inward plangency
but also extrovert passion - as her vocal pyrotechnics in Handel's showpiece arias Il primo ardour and Da tempeste demonstrated.
Oppenheimer's staggering film achieves no such plangency
, much as it attempts to shift from an often callously ironic tone to a graver and more nuanced approach, fashioning a redemptive narrative for Anwar, who gradually relinquishes his role as metteur en scene for that of martyr.
His early work is marred by over-reliance on capitalised abstractions such as Death, Love, Time, Beauty, and by sub-Yeatsian plangency
, but shows also a remarkable lyric strain, which deepened throughout his short life" (4).
It is not obsessive, or if it is, it is an obsession we share: the repetition makes us feel that we are being located, steadied" And in contrast with the Eighth, in which repetition "is used in the service of memory and profundity, like the tolling of a bell or the plangency
of voices in a round," she says, "in the fragmentary Ninth, it is not used in the service of anything; it just sits there, a thing in itself, squashing the music with its implacable force.
This last is a riveting performance--especially in one spine-tingling moment of pure theatre, when Prudence suddenly turns and speaks with force and plangency
for all the downtrodden menials of this country.
And therefore in the Calypso, there isn't much of that plangency
and sorrow and wrong that comes out of that suffering and the measure of that suffering, which is a very heavy down beat.
The non-verbal sounds of a post-Darwinian cosmos of universal plangency
, (13) to which the speaker directs us to attend, are like the shadow of the Medusa in "Aspecta Medusa," mysterious signs of an existential condition that is indifferent to human hope and aspiration.
Furthermore, the ending of the novel, wherein Hannah describes her happy condition in New Jersey in the free North, is in turn in complete harmony with the sentimental plangency
of many Dickensian endings--the ending not only of Bleak House but also of David Copperfield (published in London in twenty monthly parts, 1849-1850, then in New York in 1852).
On the debit side, string instrument-reliant score by Eicca Toppinen overeggs the pudding with too-insistent plangency