Those involved will get tips on smart scenographic
Tenders are invited for Programming study and detailed scenographic
That said, it is ultimately The Knight of Snowdoun's militarism that "electrified the House" and set the stage yet again for Harlequin and Asmodeus, (28) But now the significance of the latter performance lies less in Grimaldi's construction tricks than in the pantomime's scenographic
Building on and continuing what Chris wrote in 1984 on Beckett productions in Ireland, the authors assert Beckett's awareness of theatrical experimentations and expressionist styles in Irish theatre design in the 1920s and 1930s, and suggest that these helped to shape Beckett's scenographic
imagination in his formative years.
They constitute a purely scenographic
element or simply inform the plot.
trade agreements, are to say, only the adequate scenographic
Finally, contemporaneous authors such as Elena Tamburini, Danielo Romei, Chiara d'Afflitto, and Silvia Bruno provide her bibliography with sources that flesh out the idea that Bernini was centrally occupied with the scenographic
productions of the Barberini family.
In Hollywood Utopia, one of the first sustained studies of the natural world in popular film, Pat Brereton explicitly describes "nature mise-en-scene" as a concept that can help us identify the legacy of pre-modernist painting in modern cinema (52); it is a convincing claim, but one that seems to be built on a somewhat limited version of mise-en-scene, emphasizing its scenographic
aspects at the expense of its dynamic contributions to an evolving narrative.
MUMM, the House of Champagne revealed its latest collaboration, in an impressive scenographic
setting also produced by Ross Lovegrove.
The fan, interminably purring between four walls covered in a repetitive and rugged texture, is absent from the exhibition checklist; is it merely playing an uncredited scenographic
supporting role to Rottenberg's art?
Drawing upon the French sociologist Henri Lefebvre's now familiar hypothesis that each culture produces its own distinctive social space, she argues that 'the quintessential spatial form of the Baroque was one of scenographic
Half-open doors, as well as rocky arches, could in fact allude, if not point, to actual scenographic