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sforzando
(redirected from sforzandi)

   Also found in: Encyclopedia, Hutchinson 0.02 sec.
sfor·zan·do  (sfôrt-sänd) also for·zan·do (fôrt-sänd) Music
adv. & adj. Abbr. sfz or sf
Suddenly or strongly accented. Used chiefly as a direction.
n. pl. sfor·zan·dos also for·zan·dos or sfor·zan·di also for·zan·di (-d)
A sforzando tone or chord.

[Italian, gerund of sforzare, to use force : s-, intensive pref. (from Latin ex-; see ex-) + forzare, to force (from Vulgar Latin *fortire, from Latin fortis, strong; see fortis).]

sfor·zando adv.

sforzando [sfɔːˈtsɑːndəʊ], sforzato [sfɔːˈtsɑːtəʊ] Music
adj & adv
(Music / Classical Music) to be played with strong initial attack Abbreviation sf
n
(Music / Classical Music) a symbol, mark, etc., such as >, written above a note, indicating this
[from Italian, from sforzare to force, from ex-1 + forzare, from Vulgar Latin fortiāre (unattested) to force1]
ThesaurusLegend:  Synonyms Related Words Antonyms
Noun1.sforzando - an accented chord
chord - a combination of three or more notes that blend harmoniously when sounded together
2.sforzando - (music) a notation written above a note and indicating that it is to be played with a strong initial attack
musical notation - (music) notation used by musicians
music - an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner


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One gets the feeling that Beethoven just could not resist breathing fun and joy into these litHe sets of variations, and abundant fermatas, ornamental flourishes, sforzandi, key changes, flirtatious harmonizations, long-held trills, mockpathetic passages, and other stock items from Beethoven's stylistic arsenal keep delighting the ear.
Yet Lewis' intellectual grip also underlined the links between the three: spread chords, hand-crossing, generally quiet, throwaway endings - and a strange anticipation of Schubert in shifting tonalities (and in a self-propelling tarantella finale, delivered with rasping sforzandi which after all could only be Beethoven).
Carefully placed and welxecuted sforzandi and counter rhythms neatly punctuated the flow of the simple almost nursery rhyme-like melodies which gives the work its charm.
 
 
 
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