villainously


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vil·lain·ous

 (vĭl′ə-nəs)
adj.
1.
a. Being or behaving like a villain: a villainous warlord.
b. Appropriate to or characteristic of a villain: a villainous plot to kidnap the princess.
2. Highly unpleasant or annoying: villainous mosquitoes.

vil′lain·ous·ly adv.
vil′lain·ous·ness n.
Translations

villainously

[ˈvɪlənəslɪ] ADVvilmente
villainously uglyfeísimo

villainously

adv smilehämisch; he villainously murdered his brothersin seiner Niedertracht ermordete er seine Brüder
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References in classic literature ?
Most gipsies are merely tenth-rate provincial companies, travelling with and villainously travestying Borrow's great pieces of "Lavengro" and "Romany Rye.
15) All of the points I go on to make in what follows could equally well be made concerning a version of Three Options in which option (ii) involves the bystander turning the trolley onto the one who villainously launched it toward the five in the first place.
When Sugil's mother perceives the truth, she compares the missionary couple and their son who killed Sugil to jackals: "The old jackal's spade eagle's nose hung villainously over his upper lip, while the vixen's teats jutted out like the stomach of a snake that has just swallowed a demon, and the slippery wolf cub gleamed with poison like the head of a venomous snake that has just shed its skin" (Han 1994, 184).
But he was villainously betrayed to his death by the evil Scar--Nxaha, right?
As Mann (Damon's character) villainously says to soon-to-be dying Cooper, it is the final images of a father's children that will push him to live on.
Faulkner's multitude of characters come "swarming back comically and villainously and tragically" to Styron "with a kind of mnemonic sense of utter reality" as part of a "maddened, miraculous vision of life wrested, as all art is wrested, out of nothingness.
21) Whereas Delamotte sees the early Gothic as glossing a demonized religious difference in racial terms--"what is villainously Latin and what is villainously black are located metonymically in relation to each other" (22)--Hoeveler considers the opposite scenario, showing how the racial "other" can subtly be identified as alien on the basis of religion.
Thus it is that Carrion acts as an emotional guide, revealing Chacaltana's wounds to him even as he villainously makes use of his traumatic reactions for his own purposes.