vomitorium


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vom·i·to·ri·um

 (vŏm′ĭ-tôr′ē-əm)
n. pl. vom·i·to·ri·a (-tôr′ē-ə)
1.
a. One of the tunnellike passages of a theater, stadium, or amphitheater connecting the banks of seats with an outside wall or passageway.
b. A tunnellike passage extending to a theater stage, especially a thrust stage or the stage of an arena theater, allowing actors to enter and exit. In both subsenses also called vomitory.
2. A place for vomiting, sometimes mistakenly said to be an invention of the ancient Romans for use during banquets.

[Latin vomitōrium, entrance to an amphitheater, from neuter singular of Latin vomitōrius, of spewing forth, emetic, vomitory (a vomitorium being so called because the spectators spewed forth from its opening); see vomitory.]
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Emergency physician Dr Jason van der Velde said: "The best description I could give was arriving into a vomitorium.
The theatre of Olisipo fell out of use by the late fifth century, the ruins of its vomitorium being reused for private construction (63).
To my mind, it is hard not to picture such a ceiling unless the economy is to become a collective vomitorium.
Under this theory, austerity was something like the apocryphal vomitorium at Roman feasts, allowing the economy to purge itself between successive bouts of overindulgence.
Disgust, the gag reflex and flights to the vomitorium greeted this week's news that horse flesh had breached the beef wall to contaminate burgers and frozen beef meals (lasagna, spaghetti Bolognese, shepherd's pie, meatballs) all over Europe.
And if you're feeling really brave, you can also find out what Roman soldiers wore under their kilts, why rich Romans needed a vomitorium and how their deadly doctors were more likely to kill you than cure you.
As the couples paired off around the large stage, each Jack with his Jill yet strangely alone, they gradually parted, the ladies finally leaving stage left up the vomitorium and out a side door, the men left standing onstage, watching them walk away.
20 -- Mirpur: The vomitorium was deserted, extensively littered with '4' and '6' placards.
Instead, the media construct of 'Binge Britain' is a ritual repetition of the idea that night-time public space has been transformed into a violent vomitorium that is a no-go zone for all but the carousing youth who are lost to it.