10) Given his increasingly darkening mood, it's very difficult to imagine Allen ever making another movie as relentlessly cheerful as Everyone Says I Love You (1996), a romantic comedy that completely earns its wackily
happy conclusion by presenting two-dimensional characters who are nonetheless likeably human and by drawing from the Marx Brothers' movies' capacity to never completely satirize characters so completely that the movies nullify them.
And with 13 teams, each wielding a wackily
designed trolley, taking part the event has brought in plenty of vitally important cash for the charity.
Apart, that is, from the one who looked like a peroxide lady-version of Dennis Pennis and kept wackily
pronouncing it "Soss-arge.
But while Going the Distance starts well (they fall in lust during a New York pub quiz) it can never balance charm and romance with its selfconscious raunchiness Christina Applegate is a shining beacon of wonderfully dry comedy, and is superb as Drew's long-suffering older sister and Charlie Day is wackily
funny as Long's flatmate Going the Distance is at its best when its is simply focusing on being a rom-com, but the cheap and tawdry sex jokes get in the way.
TEA-TIME TREATS: More tea-time treats in the shape of wackily
named whoopie pies, which have been a big hit in New York.
Balk zips through piles of inventories, lists, flowcharts, diagrams, sequential imagery and the like, whose mannered and sometimes wackily
Rube Goldberg-like inventiveness causes each to turn in on itself--less a critique of communication than a means to foreground its endless proliferation, even if in an initially manic way.
Even the Kevin Kline of In and Out (1997), hardly a work of deep social significance, performed a valuable service by wackily
demonstrating how hard it is to adhere to strict gender rules.
ELLIE PARKER: Naomi Watts' pet project, in which she plays an aspiring actress whose life goes wackily
out of control.
Without the daft stunts and wackily
dressed goofballs, all you'd have left would be a bunch of dull dolts, demanding wealth without graft, fame without talent.
Poised on its plaza like a deformed meteorite, it exhibits the usual OMA tension between a wackily
monumental exterior and fluidly informal interior.
Wharton's critical misfortunes make both informative and at times even entertaining reading: vitriolic disparagement from male reviewers has the authentic tang of the wackily
antique and includes the observation that 'her men are subtle and complex ladies wearing mustaches' (sounds promising to me), and the bizarre lament that she had not yet mastered the technique of always beginning a story with a conversation.