zither

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zith·er

 (zĭth′ər, zĭth′-) also zith·ern (-ərn)
n.
A musical instrument composed of a flat sound box with about 30 to 40 strings stretched over it and played horizontally with the fingertips, a plectrum, or a bow, or set into vibration by the wind, as in the Aeolian harp.

[German, from Middle High German *zitter, from Old High German zitera, from Latin cithara, cithara, from Greek kitharā.]

zith′er·ist n.

zither

(ˈzɪðə)
n
(Instruments) a plucked musical instrument consisting of numerous strings stretched over a resonating box, a few of which may be stopped on a fretted fingerboard
[C19: from German, from Latin cithara, from Greek kithara]
ˈzitherist n

zith•er

(ˈzɪθ ər, ˈzɪð-)

n.
a musical instrument, consisting of a flat sounding box with strings stretched over it, that is placed on a horizontal surface and played with a plectrum and the fingertips.
[1840–50; < German < Latin cithara < Greek kithárá; see kithara]
zith′er•ist, n.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.zither - a musical stringed instrument with strings stretched over a flat sounding boardzither - a musical stringed instrument with strings stretched over a flat sounding board; it is laid flat and played with a plectrum and with fingers
dulcimer - a trapezoidal zither whose metal strings are struck with light hammers
stringed instrument - a musical instrument in which taut strings provide the source of sound
Translations
citera
citer
sitra
citera
sítar
cithara
ţiteră
citra
citre
cittra

zither

[ˈzɪðəʳ] Ncítara f

zither

[ˈzɪðər] ncithare f

zither

nZither f

zither

[ˈzɪðəʳ] ncetra
References in periodicals archive ?
Damascus, SANA -- Zitherist Dima Mawazini ranked the second in Kazakhstan International Festival of Nations' Music held in Astana city with the participation of musicians and music bands from different world countries.
Other international celebrities who have graced the stage include Cuban ballerina Alicia Alonso, who danced there in 1949, the Vienna Boys Choir, Russian pianist Xenia Prochorowa, Indian zitherist Ravi Shankar and opera star Melico Salazar, known as the Caruso of the Americas.
The singers, flutists, and zitherists were not apt to wait for a technician to help explain the "house scale," that is to say, the chime's implicit modes based on its twelve pitch-standards, if it was not already inscribed on the bells.